This book is a study of the performing arts, the body and language. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience.
This book is a study of the performing arts, the body and language. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience.
Esa Kirkkopelto is a performance artist, philosopher and artist researcher focusing on the deconstruction of the performing body in theory and practice. Kirkkopelto was Professor of Artistic Research at the University of the Arts Helsinki in 2007-2018 and now holds a similar professorship at the University of Tampere. He is a founding member of the performance art group Other Spaces.
Inhaltsangabe
Foreword Introduction Part I: The Deduction Of The Scenic Body Chapter 1: The scenic body of a word Chapter 2: The linguistic nature of the performing body Part II: Logomimetic Meditations Chapter 3: The virtual body of the performer Chapter 4: Virtual objects on stage Chapter 5: The virtual space of performance Chapter 6: The rhythm of the scenic gesture Chapter 7: The scenic apocatastasis Conclusion
Foreword Introduction Part I: The Deduction Of The Scenic Body Chapter 1: The scenic body of a word Chapter 2: The linguistic nature of the performing body Part II: Logomimetic Meditations Chapter 3: The virtual body of the performer Chapter 4: Virtual objects on stage Chapter 5: The virtual space of performance Chapter 6: The rhythm of the scenic gesture Chapter 7: The scenic apocatastasis Conclusion
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