This is the first comprehensive account of the creation and staging of the earliest surviving complete 'opera', Euridice, during the festivities celebrating the marriage of Maria de' Medici and King Henri IV of France in 1600. Â It will prove invaluable for anyone interested in Renaissance music, theatre, and their contexts.
This is the first comprehensive account of the creation and staging of the earliest surviving complete 'opera', Euridice, during the festivities celebrating the marriage of Maria de' Medici and King Henri IV of France in 1600. Â It will prove invaluable for anyone interested in Renaissance music, theatre, and their contexts.
Tim Carter is David G. Frey Distinguished Professor of Music at the University of North Carolina at Chapel Hill. He is author of numerous books on topics ranging from Monteverdi to Rodgers and Hammerstein. He has held fellowships at the Harvard Center for Italian Renaissance Studies in Florence, the Newberry Library in Chicago, and the National Humanities Center.
Inhaltsangabe
Preface Sources, Transcriptions, and Translations Money, Accounts, Measurements, Dates, and Time List of Abbreviations, 1. Euridice in context 2. Staging and sets 3. Euridice in performance 4. Conclusions and consequences Appendix I: Documents Works cited Index.
Preface Sources, Transcriptions, and Translations Money, Accounts, Measurements, Dates, and Time List of Abbreviations, 1. Euridice in context 2. Staging and sets 3. Euridice in performance 4. Conclusions and consequences Appendix I: Documents Works cited Index.
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