Through close readings of literary texts by Camara Laye to Ata Aidoo, via Langston Hughes, Richard Wright, and Ralph Ellison, this book re-evaluates the issue of double consciousness originally raised by W.E.B. DuBois and, in doing so, problematize the role of the intellectuals in relation to their community.
Through close readings of literary texts by Camara Laye to Ata Aidoo, via Langston Hughes, Richard Wright, and Ralph Ellison, this book re-evaluates the issue of double consciousness originally raised by W.E.B. DuBois and, in doing so, problematize the role of the intellectuals in relation to their community.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Komla M. Avono is faculty in the Department of English at the University of Lome, Togo.
Inhaltsangabe
Acknowledgments Foreword: Beyond the Self/Other Binary, Kristina Marie Darling Introduction Chapter One: Multiple Consciousness: Laye Camara's The Dark Child and Richard Wright's Black Boy Chapter Two: Audience, Double-Consciousness, and African Teachers of American Literature Chapter Three: A Hungry Man is a Negro Man: Racializing Poverty in Richard Wright's Black Boy Chapter Four: The Weakness of Power in Richard Wright's Native Son: Lesson Learned in the Context of American Exceptionalism Chapter Five: The Black Man's Construction of his Own Invisibility in Ralph Ellison's Invisible Man Chapter Six: Collecting, Connecting, and Correcting: Vital Steps at the Heart of the Harlem Renaissance Conclusion: The Poetry of Langston Hughes: An Exceptional Critical Realism Bibliography About the Author
Acknowledgments Foreword: Beyond the Self/Other Binary, Kristina Marie Darling Introduction Chapter One: Multiple Consciousness: Laye Camara's The Dark Child and Richard Wright's Black Boy Chapter Two: Audience, Double-Consciousness, and African Teachers of American Literature Chapter Three: A Hungry Man is a Negro Man: Racializing Poverty in Richard Wright's Black Boy Chapter Four: The Weakness of Power in Richard Wright's Native Son: Lesson Learned in the Context of American Exceptionalism Chapter Five: The Black Man's Construction of his Own Invisibility in Ralph Ellison's Invisible Man Chapter Six: Collecting, Connecting, and Correcting: Vital Steps at the Heart of the Harlem Renaissance Conclusion: The Poetry of Langston Hughes: An Exceptional Critical Realism Bibliography About the Author
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