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This book explores the role of music as a source of inspiration and provocation for modernist writers. Considering modernist literature within a broad political, postcolonial, and internationalist context, it is an important intervention in the field of Words and Music studies. It expands the critical debate to include lesser-known writers along
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This book explores the role of music as a source of inspiration and provocation for modernist writers. Considering modernist literature within a broad political, postcolonial, and internationalist context, it is an important intervention in the field of Words and Music studies. It expands the critical debate to include lesser-known writers along
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 296
- Erscheinungstermin: 14. August 2020
- Englisch
- Abmessung: 226mm x 152mm x 18mm
- Gewicht: 476g
- ISBN-13: 9780367593476
- ISBN-10: 0367593475
- Artikelnr.: 60044013
- Verlag: Taylor & Francis
- Seitenzahl: 296
- Erscheinungstermin: 14. August 2020
- Englisch
- Abmessung: 226mm x 152mm x 18mm
- Gewicht: 476g
- ISBN-13: 9780367593476
- ISBN-10: 0367593475
- Artikelnr.: 60044013
Katherine O'Callaghan is Visiting Lecturer in the Department of English at Mount Holyoke College, USA.
Table of Contents
1. Woolf Rewriting Wagner: The Waves and Der Ring Des Nibelungen
Emma Sutton, University of St Andrews, UK
2. "That's the Music of the Future": Joyce, Modernism and the "Old Irish
Tonality"
Katherine O'Callaghan, Mount Holyoke College, USA
3. The Ring, The Waves and the Wake: Eternal Recurrence in Wagner, Woolf
and Joyce
Jamie McGregor, Rhodes University, South Africa
4. Musicality in Ford Madox Ford's Parade's End: Towards Modernity
Isabelle Brasme, University of Nîmes (Unîmes) and EMMA (Université Paul
Valéry Monptellier 3) France
5. The (R)evolution of Olive Moore: Fugue as Bridge to a New Feminist
Awakening.
Renée Dickinson, Bellevue College, USA
6. A Strict Arrangement: Thomas Mann, Doctor Faustus, and the Kretzschmar
Lectures
Maria Kager, Utrecht University, Netherlands
7. Sounding Bodies: Eroticized Music-Making in Proust's À la Recherche
Axel Englund, Stockholm University, Sweden
8. Rabindranath Tagore and Musical Modernity in Early Twentieth-Century
Bengal Suddhaseel Sen, Presidency College, Kolkata, India
9. Words for Music Perhaps: W. B. Yeats, Music and Meaninglessness.
Adrian Paterson, National University of Ireland, Galway, Ireland
10. "The way to learn the music of verse is to listen to it": Ezra Pound's
The Pisan Cantos and the "Sequence of the Musical Phrase"
Katherine Firth, La Trobe University, Australia
11. Imagism's Musical Sympathies: Amy Lowell and Claude Debussy
Debora Van Durme, Ghent University, Belgium
12. Expansive Musical Modernism in William Carlos Williams, Steve Reich and
Tom Leonard
Peter Clandfield, Independent Scholar, Ontario, Canada
13. The Sudden Thing of Being No One: Robert Creeley's Rhythm Changes
Steven Toussaint, University of Wellington, New Zealand
14. "With all that Tutti and Continuo": Musicality and Temporality in Djuna
Barnes' The Antiphon
Caroline Knighton, Birkbeck, University of London.
15. "The Blues Always Been Here": African American Music and Black
Modernism in August Wilson's Ma Rainey's Black Bottom
Michael Borshuk, Texas Tech Univ. USA.
16. The Musicalization of Samuel Beckett
Thomas Mansell, London Consortium
1. Woolf Rewriting Wagner: The Waves and Der Ring Des Nibelungen
Emma Sutton, University of St Andrews, UK
2. "That's the Music of the Future": Joyce, Modernism and the "Old Irish
Tonality"
Katherine O'Callaghan, Mount Holyoke College, USA
3. The Ring, The Waves and the Wake: Eternal Recurrence in Wagner, Woolf
and Joyce
Jamie McGregor, Rhodes University, South Africa
4. Musicality in Ford Madox Ford's Parade's End: Towards Modernity
Isabelle Brasme, University of Nîmes (Unîmes) and EMMA (Université Paul
Valéry Monptellier 3) France
5. The (R)evolution of Olive Moore: Fugue as Bridge to a New Feminist
Awakening.
Renée Dickinson, Bellevue College, USA
6. A Strict Arrangement: Thomas Mann, Doctor Faustus, and the Kretzschmar
Lectures
Maria Kager, Utrecht University, Netherlands
7. Sounding Bodies: Eroticized Music-Making in Proust's À la Recherche
Axel Englund, Stockholm University, Sweden
8. Rabindranath Tagore and Musical Modernity in Early Twentieth-Century
Bengal Suddhaseel Sen, Presidency College, Kolkata, India
9. Words for Music Perhaps: W. B. Yeats, Music and Meaninglessness.
Adrian Paterson, National University of Ireland, Galway, Ireland
10. "The way to learn the music of verse is to listen to it": Ezra Pound's
The Pisan Cantos and the "Sequence of the Musical Phrase"
Katherine Firth, La Trobe University, Australia
11. Imagism's Musical Sympathies: Amy Lowell and Claude Debussy
Debora Van Durme, Ghent University, Belgium
12. Expansive Musical Modernism in William Carlos Williams, Steve Reich and
Tom Leonard
Peter Clandfield, Independent Scholar, Ontario, Canada
13. The Sudden Thing of Being No One: Robert Creeley's Rhythm Changes
Steven Toussaint, University of Wellington, New Zealand
14. "With all that Tutti and Continuo": Musicality and Temporality in Djuna
Barnes' The Antiphon
Caroline Knighton, Birkbeck, University of London.
15. "The Blues Always Been Here": African American Music and Black
Modernism in August Wilson's Ma Rainey's Black Bottom
Michael Borshuk, Texas Tech Univ. USA.
16. The Musicalization of Samuel Beckett
Thomas Mansell, London Consortium
Table of Contents
1. Woolf Rewriting Wagner: The Waves and Der Ring Des Nibelungen
Emma Sutton, University of St Andrews, UK
2. "That's the Music of the Future": Joyce, Modernism and the "Old Irish
Tonality"
Katherine O'Callaghan, Mount Holyoke College, USA
3. The Ring, The Waves and the Wake: Eternal Recurrence in Wagner, Woolf
and Joyce
Jamie McGregor, Rhodes University, South Africa
4. Musicality in Ford Madox Ford's Parade's End: Towards Modernity
Isabelle Brasme, University of Nîmes (Unîmes) and EMMA (Université Paul
Valéry Monptellier 3) France
5. The (R)evolution of Olive Moore: Fugue as Bridge to a New Feminist
Awakening.
Renée Dickinson, Bellevue College, USA
6. A Strict Arrangement: Thomas Mann, Doctor Faustus, and the Kretzschmar
Lectures
Maria Kager, Utrecht University, Netherlands
7. Sounding Bodies: Eroticized Music-Making in Proust's À la Recherche
Axel Englund, Stockholm University, Sweden
8. Rabindranath Tagore and Musical Modernity in Early Twentieth-Century
Bengal Suddhaseel Sen, Presidency College, Kolkata, India
9. Words for Music Perhaps: W. B. Yeats, Music and Meaninglessness.
Adrian Paterson, National University of Ireland, Galway, Ireland
10. "The way to learn the music of verse is to listen to it": Ezra Pound's
The Pisan Cantos and the "Sequence of the Musical Phrase"
Katherine Firth, La Trobe University, Australia
11. Imagism's Musical Sympathies: Amy Lowell and Claude Debussy
Debora Van Durme, Ghent University, Belgium
12. Expansive Musical Modernism in William Carlos Williams, Steve Reich and
Tom Leonard
Peter Clandfield, Independent Scholar, Ontario, Canada
13. The Sudden Thing of Being No One: Robert Creeley's Rhythm Changes
Steven Toussaint, University of Wellington, New Zealand
14. "With all that Tutti and Continuo": Musicality and Temporality in Djuna
Barnes' The Antiphon
Caroline Knighton, Birkbeck, University of London.
15. "The Blues Always Been Here": African American Music and Black
Modernism in August Wilson's Ma Rainey's Black Bottom
Michael Borshuk, Texas Tech Univ. USA.
16. The Musicalization of Samuel Beckett
Thomas Mansell, London Consortium
1. Woolf Rewriting Wagner: The Waves and Der Ring Des Nibelungen
Emma Sutton, University of St Andrews, UK
2. "That's the Music of the Future": Joyce, Modernism and the "Old Irish
Tonality"
Katherine O'Callaghan, Mount Holyoke College, USA
3. The Ring, The Waves and the Wake: Eternal Recurrence in Wagner, Woolf
and Joyce
Jamie McGregor, Rhodes University, South Africa
4. Musicality in Ford Madox Ford's Parade's End: Towards Modernity
Isabelle Brasme, University of Nîmes (Unîmes) and EMMA (Université Paul
Valéry Monptellier 3) France
5. The (R)evolution of Olive Moore: Fugue as Bridge to a New Feminist
Awakening.
Renée Dickinson, Bellevue College, USA
6. A Strict Arrangement: Thomas Mann, Doctor Faustus, and the Kretzschmar
Lectures
Maria Kager, Utrecht University, Netherlands
7. Sounding Bodies: Eroticized Music-Making in Proust's À la Recherche
Axel Englund, Stockholm University, Sweden
8. Rabindranath Tagore and Musical Modernity in Early Twentieth-Century
Bengal Suddhaseel Sen, Presidency College, Kolkata, India
9. Words for Music Perhaps: W. B. Yeats, Music and Meaninglessness.
Adrian Paterson, National University of Ireland, Galway, Ireland
10. "The way to learn the music of verse is to listen to it": Ezra Pound's
The Pisan Cantos and the "Sequence of the Musical Phrase"
Katherine Firth, La Trobe University, Australia
11. Imagism's Musical Sympathies: Amy Lowell and Claude Debussy
Debora Van Durme, Ghent University, Belgium
12. Expansive Musical Modernism in William Carlos Williams, Steve Reich and
Tom Leonard
Peter Clandfield, Independent Scholar, Ontario, Canada
13. The Sudden Thing of Being No One: Robert Creeley's Rhythm Changes
Steven Toussaint, University of Wellington, New Zealand
14. "With all that Tutti and Continuo": Musicality and Temporality in Djuna
Barnes' The Antiphon
Caroline Knighton, Birkbeck, University of London.
15. "The Blues Always Been Here": African American Music and Black
Modernism in August Wilson's Ma Rainey's Black Bottom
Michael Borshuk, Texas Tech Univ. USA.
16. The Musicalization of Samuel Beckett
Thomas Mansell, London Consortium