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  • Broschiertes Buch

This book is intended for scholars and students of media and communication studies, ethics, and moral philosophy.
This pathbreaking collection of original essays examines the moral rights of the subjects of documentary film, photography, and television and includes a series of provocative case studies on: the documentaries of Frederick Wiseman; British documentaries of the 1930s; General Westmoreland's libel suit against CBS; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television.…mehr

Produktbeschreibung
This book is intended for scholars and students of media and communication studies, ethics, and moral philosophy.
This pathbreaking collection of original essays examines the moral rights of the subjects of documentary film, photography, and television and includes a series of provocative case studies on: the documentaries of Frederick Wiseman; British documentaries of the 1930s; General Westmoreland's libel suit against CBS; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television.
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