Karen Henson is Associate Professor at the Frost School of Music, University of Miami. Her research focuses on nineteenth-century opera, singers and opera performance, and opera and technology. She trained at the University of Oxford and in Paris, and her work has been supported by fellowships and awards from The British Academy, the Stanford Humanities Center, and the Radcliffe Institute for Advanced Study, Harvard University. She has been a regular guest speaker for the Metropolitan Opera, New York City Opera, and the BBC.
Inhaltsangabe
Introduction: on not singing and singing physiognomically 1. Verdi, Victor Maurel, and the operatic interpreter 2. Real mezzo: Célestine Galli-Marié as Carmen 3. Photographic diva: Massenet, Sibyl Sanderson, and the soprano as spectacle 4. Jean de Reszke, the 'problem' of the tenor, and early international Wagner performance Supporting cast.
Introduction: on not singing and singing physiognomically 1. Verdi, Victor Maurel, and the operatic interpreter 2. Real mezzo: Célestine Galli-Marié as Carmen 3. Photographic diva: Massenet, Sibyl Sanderson, and the soprano as spectacle 4. Jean de Reszke, the 'problem' of the tenor, and early international Wagner performance Supporting cast.
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