The first book to explore the use, interpretation, development, translation and influence of the Psalms in the Atlantic world during 1400-1800, this volume showcases essays by scholars from literature, history, music and religious studies. The collection reaches beyond national and confessional boundaries to look at the ways in which Psalms touched nearly every person living in early modern Europe and any place in the world that Europeans took their cultural practices.
The first book to explore the use, interpretation, development, translation and influence of the Psalms in the Atlantic world during 1400-1800, this volume showcases essays by scholars from literature, history, music and religious studies. The collection reaches beyond national and confessional boundaries to look at the ways in which Psalms touched nearly every person living in early modern Europe and any place in the world that Europeans took their cultural practices.
Linda Phyllis Austen is Associate Professor of Musicology at Northwestern University. Kari Boyd McBride is Associate Professor of Women's Studies at the University of Arizona, Tucson. David L. Orvis is Assistant Professor of English at Appalachian State University.
Inhaltsangabe
Introduction 1: Communities of Worship 1: Listening to the Psalms among the Huguenots: Simon Goulart as Music Editor 1 2: William Byrd's English Psalms 3: "For Musicke is the Handmaid of the Lord": Women, Psalms, and Domestic Music-Making in Early Modern England 4: "How Shall We Sing the Lord's Song in a Strange Land?": A Transatlantic Study of the Bay Psalm Book 1 2: Contested Grounds of Authority 5: Miles Coverdale and the Claims of Paraphrase 6: Rightful Penitence and the Publication of Wyatt's Certayne Psalmes 1 7: Psalm 44 (45) and Nuptial Spirituality in Juan de Avila's Audi, filia 1 8: Spenser's Equations of His Queen with Christ: Royal Supremacy and Royal Psalms 3: Psalmic Voice(s) 9: Re-revealing the Psalms: Mary Sidney, Countess of Pembroke, and Her Early Modern Readers 1 10: Sibling Harps: The Sidneys and the Chérons Translate the Psalms 1 11: David's Lyre, Kabbalah, and the Power of Music 4: Generic Innovation 12: Reading her Psalter: The Virgin Mary in the N-Town Play 1 13: The Pre-Hispanic Poetics of Sahagún's Psalmodia Christiana
Introduction 1: Communities of Worship 1: Listening to the Psalms among the Huguenots: Simon Goulart as Music Editor 1 2: William Byrd's English Psalms 3: "For Musicke is the Handmaid of the Lord": Women, Psalms, and Domestic Music-Making in Early Modern England 4: "How Shall We Sing the Lord's Song in a Strange Land?": A Transatlantic Study of the Bay Psalm Book 1 2: Contested Grounds of Authority 5: Miles Coverdale and the Claims of Paraphrase 6: Rightful Penitence and the Publication of Wyatt's Certayne Psalmes 1 7: Psalm 44 (45) and Nuptial Spirituality in Juan de Avila's Audi, filia 1 8: Spenser's Equations of His Queen with Christ: Royal Supremacy and Royal Psalms 3: Psalmic Voice(s) 9: Re-revealing the Psalms: Mary Sidney, Countess of Pembroke, and Her Early Modern Readers 1 10: Sibling Harps: The Sidneys and the Chérons Translate the Psalms 1 11: David's Lyre, Kabbalah, and the Power of Music 4: Generic Innovation 12: Reading her Psalter: The Virgin Mary in the N-Town Play 1 13: The Pre-Hispanic Poetics of Sahagún's Psalmodia Christiana
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