This book addresses the 'autobiographical' literature, visual, and performance art of postcolonial women from Maghreb and Southeast Asia including Leila Sebbar, Assia Djebar, and Theresa Hak Kyung Cha. Karina Eileraas critically examines how contemporary postcolonial artists participate in the violence of representation in order to re-imagine the relationship between image and identity.
This book addresses the 'autobiographical' literature, visual, and performance art of postcolonial women from Maghreb and Southeast Asia including Leila Sebbar, Assia Djebar, and Theresa Hak Kyung Cha. Karina Eileraas critically examines how contemporary postcolonial artists participate in the violence of representation in order to re-imagine the relationship between image and identity.
Karina Eileraas is visiting assistant professor of women's studies at UCLA.
Inhaltsangabe
Chapter 1 Fantasizing the Self: Violence and the (Im)possibilities of Representation Chapter 2 Disorienting Looks Ecarts d'Identité" Colonial Photography Ownership and Identity Chapter 3 Misrecognizing the Family Album: Blood Fantasy and Nationality in the Works of Hèléne Cixous and Theresa Hak Kyung Cha Chapter 4 Dismembering the Gaze: Speleology and Vivisection in Assia Djebar's L'amour la fantasia
Chapter 1 Fantasizing the Self: Violence and the (Im)possibilities of Representation Chapter 2 Disorienting Looks Ecarts d'Identité" Colonial Photography Ownership and Identity Chapter 3 Misrecognizing the Family Album: Blood Fantasy and Nationality in the Works of Hèléne Cixous and Theresa Hak Kyung Cha Chapter 4 Dismembering the Gaze: Speleology and Vivisection in Assia Djebar's L'amour la fantasia
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