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  • Format: ePub

The Duke of Athens and the Amazon Queen are getting married in the morning. It's going to be a big one, and everyone's invited. The King and Queen of the Fairies arrive into ancient Athens, ready to be guests of honour at the party of the age.
There's a gifted new Changeling in town -- a uniquely talented human who's attracting some attention. Titania has plans, Oberon's wound up about it, there's a long night ahead and naturally it all comes down to who does what. The planets have their own ideas, and elsewhere, deep within the forest, we see a leatherworker and part-time male stripper…mehr

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Produktbeschreibung
The Duke of Athens and the Amazon Queen are getting married in the morning. It's going to be a big one, and everyone's invited. The King and Queen of the Fairies arrive into ancient Athens, ready to be guests of honour at the party of the age.

There's a gifted new Changeling in town -- a uniquely talented human who's attracting some attention. Titania has plans, Oberon's wound up about it, there's a long night ahead and naturally it all comes down to who does what. The planets have their own ideas, and elsewhere, deep within the forest, we see a leatherworker and part-time male stripper rehearsing a play that's ahead of its time...

This is A Midsummer Night's Dream as you've never known it before. A punk revision of Shakespeare's narratives of pleasure and power, WILD TIME is a new world composed of erotic and theatrical acrobatics, taking liberties with Greek gods and literary idols like nothing is sacred. It's funny, it's sexy, and you've got a front row seat.


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Autorenporträt
Rose Biggin is a writer and theatre artist. Her short fiction has been published by Jurassic London, Constable Robinson and Abaddon Books, and made the recommended reading list for Best of British Fantasy 2019 (NewCon Press). Her joint theatrework BADASS GRAMMAR: A Pole/Guitar Composition in Exploded View premiered at The Yard Theatre, toured nationally, and was selected for Experimentica international live art festival. She has been a Miss Pole Dance UK finalist and developed her practice with support from Jerwood Arts. Her PhD in theories of immersive performance was a Collaborative Doctoral Award supported by the theatre company Punchdrunk; her book Immersive Theatre and Audience Experience is published by Palgrave Macmillan.