The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era describes a remarkable era in Uzbekistan's politics, 2001 - 2016, when the Uzbek government promoted estrada to the prominent position of musical state emblem - a genre of popular music and a musical relic of socialism.
The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era describes a remarkable era in Uzbekistan's politics, 2001 - 2016, when the Uzbek government promoted estrada to the prominent position of musical state emblem - a genre of popular music and a musical relic of socialism.
Kerstin Klenke is an ethnomusicologist and head of the Phonogram Archive at the Austrian Academy of Sciences in Vienna.
Inhaltsangabe
Entering Estrada Prelude: Introducing Estrada 1. Administering Estrada: Decrees, Institutions and Policies 2. Approaching Estrada: Opposition, Affirmation and Beyond 3. Staging Estrada I: Concerts, Reyting and Artisthood 4. Staging Estrada II: Competitions and Other Activities "at the State Level" 5. Nationalising Estrada: The Concept of Milliy Estrada 6. Authorising Estrada: Licences, Certificates and the Status of Milliy Estrada 7. Mobilising Estrada: Independence Ideology, Nationalist Realism and the Workings of Milliy Estrada Exiting Estrada
Entering Estrada Prelude: Introducing Estrada 1. Administering Estrada: Decrees, Institutions and Policies 2. Approaching Estrada: Opposition, Affirmation and Beyond 3. Staging Estrada I: Concerts, Reyting and Artisthood 4. Staging Estrada II: Competitions and Other Activities "at the State Level" 5. Nationalising Estrada: The Concept of Milliy Estrada 6. Authorising Estrada: Licences, Certificates and the Status of Milliy Estrada 7. Mobilising Estrada: Independence Ideology, Nationalist Realism and the Workings of Milliy Estrada Exiting Estrada
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