Kitazawa Noriaki, Kuresawa Takemi, Mitsuda Yuri
History of Japanese Art after 1945
Institutions, Discourse, Practice
Kitazawa Noriaki, Kuresawa Takemi, Mitsuda Yuri
History of Japanese Art after 1945
Institutions, Discourse, Practice
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English edition of key essays on Japanese art history
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Produktdetails
- Produktdetails
- Verlag: Leuven University Press
- Seitenzahl: 370
- Erscheinungstermin: 24. Februar 2023
- Englisch
- Abmessung: 243mm x 162mm x 27mm
- Gewicht: 1062g
- ISBN-13: 9789462703544
- ISBN-10: 946270354X
- Artikelnr.: 64475368
- Verlag: Leuven University Press
- Seitenzahl: 370
- Erscheinungstermin: 24. Februar 2023
- Englisch
- Abmessung: 243mm x 162mm x 27mm
- Gewicht: 1062g
- ISBN-13: 9789462703544
- ISBN-10: 946270354X
- Artikelnr.: 64475368
Kitazawa Noriaki is guest professor at Musashino Art University in Tokyo.
Erratum: p. 28, l. 18
21
In 2018, the University of Tokyo Cooperative Association (Co-op) was found to have disposed of Kizuna [Bonds], a painting by Usami Kenji that had hung in the Central Cafeteria of the Hongo Campus for more than forty years, during repairs the previous year. _____ TRANSLATION CREDITS NOTES ON THE TRANSLATION INTRODUCTION TO THE ENGLISH EDITION KAJIYA KENJI CHAPTER 1.THE FORMATION AND EVOLUTION OF JAPANESE CONTEMPORARY ART [GENDAI BIJUTSU]: 1945 TO THE EARLY 1970S MITSUDA YURI Introduction: The Formation and Evolution of Japanese Contemporary Art Section 1. The Inception of
Contemporary Art
: The 1955 System of Art (1945
54) Section 2. The Era of
Contemporary Art
: Anti-Art (1955
64) Section 3. The Evolution of
Contemporary Art
: Dismantlement and Reincarnation (1965
74) Notes CHAPTER 2.THE AGE OF THE FINE-ART MUSEUM: THE LATE 1970S TO THE 1990S KITAZAWA NORIAKI Introduction: Institutions and Alternatives Section 1. Fine Art
s
Conservative Revolution
and the New Wave: The Mid-1970s to the Early 1990s Section 2. The Rise of Neo-Pop: The
Modern Art
of the 1990s CHAPTER 3.THE END OF
ART
: THE 1990S TO THE 2010S KURESAWA TAKEMI Introduction: After the Postmodern
Art after the 1990s Section 1. Formation of New Spaces [Genba] and Institutions [Seido]
The 1990s Section 2. After
Art
: The 2000s to the 2010s Notes BIBLIOGRAPHY INDEXES
21
In 2018, the University of Tokyo Cooperative Association (Co-op) was found to have disposed of Kizuna [Bonds], a painting by Usami Kenji that had hung in the Central Cafeteria of the Hongo Campus for more than forty years, during repairs the previous year. _____ TRANSLATION CREDITS NOTES ON THE TRANSLATION INTRODUCTION TO THE ENGLISH EDITION KAJIYA KENJI CHAPTER 1.THE FORMATION AND EVOLUTION OF JAPANESE CONTEMPORARY ART [GENDAI BIJUTSU]: 1945 TO THE EARLY 1970S MITSUDA YURI Introduction: The Formation and Evolution of Japanese Contemporary Art Section 1. The Inception of
Contemporary Art
: The 1955 System of Art (1945
54) Section 2. The Era of
Contemporary Art
: Anti-Art (1955
64) Section 3. The Evolution of
Contemporary Art
: Dismantlement and Reincarnation (1965
74) Notes CHAPTER 2.THE AGE OF THE FINE-ART MUSEUM: THE LATE 1970S TO THE 1990S KITAZAWA NORIAKI Introduction: Institutions and Alternatives Section 1. Fine Art
s
Conservative Revolution
and the New Wave: The Mid-1970s to the Early 1990s Section 2. The Rise of Neo-Pop: The
Modern Art
of the 1990s CHAPTER 3.THE END OF
ART
: THE 1990S TO THE 2010S KURESAWA TAKEMI Introduction: After the Postmodern
Art after the 1990s Section 1. Formation of New Spaces [Genba] and Institutions [Seido]
The 1990s Section 2. After
Art
: The 2000s to the 2010s Notes BIBLIOGRAPHY INDEXES
Erratum: p. 28, l. 18
21
In 2018, the University of Tokyo Cooperative Association (Co-op) was found to have disposed of Kizuna [Bonds], a painting by Usami Kenji that had hung in the Central Cafeteria of the Hongo Campus for more than forty years, during repairs the previous year. _____ TRANSLATION CREDITS NOTES ON THE TRANSLATION INTRODUCTION TO THE ENGLISH EDITION KAJIYA KENJI CHAPTER 1.THE FORMATION AND EVOLUTION OF JAPANESE CONTEMPORARY ART [GENDAI BIJUTSU]: 1945 TO THE EARLY 1970S MITSUDA YURI Introduction: The Formation and Evolution of Japanese Contemporary Art Section 1. The Inception of
Contemporary Art
: The 1955 System of Art (1945
54) Section 2. The Era of
Contemporary Art
: Anti-Art (1955
64) Section 3. The Evolution of
Contemporary Art
: Dismantlement and Reincarnation (1965
74) Notes CHAPTER 2.THE AGE OF THE FINE-ART MUSEUM: THE LATE 1970S TO THE 1990S KITAZAWA NORIAKI Introduction: Institutions and Alternatives Section 1. Fine Art
s
Conservative Revolution
and the New Wave: The Mid-1970s to the Early 1990s Section 2. The Rise of Neo-Pop: The
Modern Art
of the 1990s CHAPTER 3.THE END OF
ART
: THE 1990S TO THE 2010S KURESAWA TAKEMI Introduction: After the Postmodern
Art after the 1990s Section 1. Formation of New Spaces [Genba] and Institutions [Seido]
The 1990s Section 2. After
Art
: The 2000s to the 2010s Notes BIBLIOGRAPHY INDEXES
21
In 2018, the University of Tokyo Cooperative Association (Co-op) was found to have disposed of Kizuna [Bonds], a painting by Usami Kenji that had hung in the Central Cafeteria of the Hongo Campus for more than forty years, during repairs the previous year. _____ TRANSLATION CREDITS NOTES ON THE TRANSLATION INTRODUCTION TO THE ENGLISH EDITION KAJIYA KENJI CHAPTER 1.THE FORMATION AND EVOLUTION OF JAPANESE CONTEMPORARY ART [GENDAI BIJUTSU]: 1945 TO THE EARLY 1970S MITSUDA YURI Introduction: The Formation and Evolution of Japanese Contemporary Art Section 1. The Inception of
Contemporary Art
: The 1955 System of Art (1945
54) Section 2. The Era of
Contemporary Art
: Anti-Art (1955
64) Section 3. The Evolution of
Contemporary Art
: Dismantlement and Reincarnation (1965
74) Notes CHAPTER 2.THE AGE OF THE FINE-ART MUSEUM: THE LATE 1970S TO THE 1990S KITAZAWA NORIAKI Introduction: Institutions and Alternatives Section 1. Fine Art
s
Conservative Revolution
and the New Wave: The Mid-1970s to the Early 1990s Section 2. The Rise of Neo-Pop: The
Modern Art
of the 1990s CHAPTER 3.THE END OF
ART
: THE 1990S TO THE 2010S KURESAWA TAKEMI Introduction: After the Postmodern
Art after the 1990s Section 1. Formation of New Spaces [Genba] and Institutions [Seido]
The 1990s Section 2. After
Art
: The 2000s to the 2010s Notes BIBLIOGRAPHY INDEXES