Drawing upon over one thousand pages of letters and scores, Teaching Stravinsky examines the extent to which Boulanger played a foundational role in defining, defending, and ultimately consecrating Stravinsky's canonical identity, and considers how the quotidian events in the lives of these two icons of modernism informed both their art and their professional decisions.
Drawing upon over one thousand pages of letters and scores, Teaching Stravinsky examines the extent to which Boulanger played a foundational role in defining, defending, and ultimately consecrating Stravinsky's canonical identity, and considers how the quotidian events in the lives of these two icons of modernism informed both their art and their professional decisions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kimberly A. Francis is Assistant Professor of Music at the University of Guelph, Canada, where she specializes in music of the twentieth and twenty-first centuries and feminist musicology. She serves as Editor-in-Chief for the University of Guelph's award-winning journal Critical Voices: The University of Guelph Book Review Project and served as co-supervisor for the digitization of the Don Campbell Papers at the American Music Research Centre. Dr. Francis has been the recipient of a number of grants, including those from the American Musicological Society and the Social Sciences and Humanities Research Council of Canada. Her numerous articles have appeared in everything from The Musical Quarterly to the Journal of the Society for American Music.
Inhaltsangabe
Acknowledgements List of Figures List of Tables Note on Translations and Transliterations Abbreviations Note on Sources About the Companion Website Introduction Boulanger and Bourdieu Chapter Overview PART ONE 1. Foundations (1929-1932) Membre de famille: Boulanger and Soulima Stravinsky A trip to Brussels Lessons and love 2. Master Copy: Correcting the Symphonie de psaumes Editorial process and power Soulima Stravinsky and advanced studies Main idea or major and minor thirds A dialogue established 3. Surviving the Great Depression: 1932-1936 The last Parisian project: Perséphone Loss and recovery: 1935-36 4. Beyond France: 1937-1939 Dumbarton Oaks Increasing tensions, failing health Toward war PART TWO 5. The War, 1940-1942 Romantic complications American reunions 6. Together, 1942-1945 1943 1944 1945 A way home Residue/rupture 7. Redefining a Partnership, Reestablishing an Icon: 1946-1949 Stravinsky's Mass The beginning of the end PART THREE 8. The Last Project: The Rake's Progress, 1948-1952 An opera The premiere: "I've never seen such disorder " Composition in early cold war America After Europe: A Rake's reception 9. Mediating Serialism A dialogue dissolves Concerts and commissions post-1952 Boulanger teaches Stravinsky's twelve-tone music 10. Insider/Outsider Stravinsky's Failing Health Conclusion Bibliography
Acknowledgements List of Figures List of Tables Note on Translations and Transliterations Abbreviations Note on Sources About the Companion Website Introduction Boulanger and Bourdieu Chapter Overview PART ONE 1. Foundations (1929-1932) Membre de famille: Boulanger and Soulima Stravinsky A trip to Brussels Lessons and love 2. Master Copy: Correcting the Symphonie de psaumes Editorial process and power Soulima Stravinsky and advanced studies Main idea or major and minor thirds A dialogue established 3. Surviving the Great Depression: 1932-1936 The last Parisian project: Perséphone Loss and recovery: 1935-36 4. Beyond France: 1937-1939 Dumbarton Oaks Increasing tensions, failing health Toward war PART TWO 5. The War, 1940-1942 Romantic complications American reunions 6. Together, 1942-1945 1943 1944 1945 A way home Residue/rupture 7. Redefining a Partnership, Reestablishing an Icon: 1946-1949 Stravinsky's Mass The beginning of the end PART THREE 8. The Last Project: The Rake's Progress, 1948-1952 An opera The premiere: "I've never seen such disorder " Composition in early cold war America After Europe: A Rake's reception 9. Mediating Serialism A dialogue dissolves Concerts and commissions post-1952 Boulanger teaches Stravinsky's twelve-tone music 10. Insider/Outsider Stravinsky's Failing Health Conclusion Bibliography
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