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Drawing upon over one thousand pages of letters and scores, Teaching Stravinsky examines the extent to which Boulanger played a foundational role in defining, defending, and ultimately consecrating Stravinsky's canonical identity, and considers how the quotidian events in the lives of these two icons of modernism informed both their art and their professional decisions.
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Drawing upon over one thousand pages of letters and scores, Teaching Stravinsky examines the extent to which Boulanger played a foundational role in defining, defending, and ultimately consecrating Stravinsky's canonical identity, and considers how the quotidian events in the lives of these two icons of modernism informed both their art and their professional decisions.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- Seitenzahl: 296
- Erscheinungstermin: 3. August 2015
- Englisch
- Abmessung: 233mm x 160mm x 25mm
- Gewicht: 622g
- ISBN-13: 9780199373697
- ISBN-10: 0199373698
- Artikelnr.: 47868594
- Verlag: Oxford University Press, USA
- Seitenzahl: 296
- Erscheinungstermin: 3. August 2015
- Englisch
- Abmessung: 233mm x 160mm x 25mm
- Gewicht: 622g
- ISBN-13: 9780199373697
- ISBN-10: 0199373698
- Artikelnr.: 47868594
Kimberly A. Francis is Assistant Professor of Music at the University of Guelph, Canada, where she specializes in music of the twentieth and twenty-first centuries and feminist musicology. She serves as Editor-in-Chief for the University of Guelph's award-winning journal Critical Voices: The University of Guelph Book Review Project and served as co-supervisor for the digitization of the Don Campbell Papers at the American Music Research Centre. Dr. Francis has been the recipient of a number of grants, including those from the American Musicological Society and the Social Sciences and Humanities Research Council of Canada. Her numerous articles have appeared in everything from The Musical Quarterly to the Journal of the Society for American Music.
Acknowledgements
List of Figures
List of Tables
Note on Translations and Transliterations
Abbreviations
Note on Sources
About the Companion Website
Introduction
Boulanger and Bourdieu
Chapter Overview
PART ONE
1. Foundations (1929-1932)
Membre de famille: Boulanger and Soulima Stravinsky
A trip to Brussels
Lessons and love
2. Master Copy: Correcting the Symphonie de psaumes
Editorial process and power
Soulima Stravinsky and advanced studies
Main idea or major and minor thirds
A dialogue established
3. Surviving the Great Depression: 1932-1936
The last Parisian project: Perséphone
Loss and recovery: 1935-36
4. Beyond France: 1937-1939
Dumbarton Oaks
Increasing tensions, failing health
Toward war
PART TWO
5. The War, 1940-1942
Romantic complications
American reunions
6. Together, 1942-1945
1943
1944
1945
A way home
Residue/rupture
7. Redefining a Partnership, Reestablishing an Icon: 1946-1949
Stravinsky's Mass
The beginning of the end
PART THREE
8. The Last Project: The Rake's Progress, 1948-1952
An opera
The premiere: "I've never seen such disorder "
Composition in early cold war America
After Europe: A Rake's reception
9. Mediating Serialism
A dialogue dissolves
Concerts and commissions post-1952
Boulanger teaches Stravinsky's twelve-tone music
10. Insider/Outsider
Stravinsky's Failing Health
Conclusion
Bibliography
List of Figures
List of Tables
Note on Translations and Transliterations
Abbreviations
Note on Sources
About the Companion Website
Introduction
Boulanger and Bourdieu
Chapter Overview
PART ONE
1. Foundations (1929-1932)
Membre de famille: Boulanger and Soulima Stravinsky
A trip to Brussels
Lessons and love
2. Master Copy: Correcting the Symphonie de psaumes
Editorial process and power
Soulima Stravinsky and advanced studies
Main idea or major and minor thirds
A dialogue established
3. Surviving the Great Depression: 1932-1936
The last Parisian project: Perséphone
Loss and recovery: 1935-36
4. Beyond France: 1937-1939
Dumbarton Oaks
Increasing tensions, failing health
Toward war
PART TWO
5. The War, 1940-1942
Romantic complications
American reunions
6. Together, 1942-1945
1943
1944
1945
A way home
Residue/rupture
7. Redefining a Partnership, Reestablishing an Icon: 1946-1949
Stravinsky's Mass
The beginning of the end
PART THREE
8. The Last Project: The Rake's Progress, 1948-1952
An opera
The premiere: "I've never seen such disorder "
Composition in early cold war America
After Europe: A Rake's reception
9. Mediating Serialism
A dialogue dissolves
Concerts and commissions post-1952
Boulanger teaches Stravinsky's twelve-tone music
10. Insider/Outsider
Stravinsky's Failing Health
Conclusion
Bibliography
Acknowledgements
List of Figures
List of Tables
Note on Translations and Transliterations
Abbreviations
Note on Sources
About the Companion Website
Introduction
Boulanger and Bourdieu
Chapter Overview
PART ONE
1. Foundations (1929-1932)
Membre de famille: Boulanger and Soulima Stravinsky
A trip to Brussels
Lessons and love
2. Master Copy: Correcting the Symphonie de psaumes
Editorial process and power
Soulima Stravinsky and advanced studies
Main idea or major and minor thirds
A dialogue established
3. Surviving the Great Depression: 1932-1936
The last Parisian project: Perséphone
Loss and recovery: 1935-36
4. Beyond France: 1937-1939
Dumbarton Oaks
Increasing tensions, failing health
Toward war
PART TWO
5. The War, 1940-1942
Romantic complications
American reunions
6. Together, 1942-1945
1943
1944
1945
A way home
Residue/rupture
7. Redefining a Partnership, Reestablishing an Icon: 1946-1949
Stravinsky's Mass
The beginning of the end
PART THREE
8. The Last Project: The Rake's Progress, 1948-1952
An opera
The premiere: "I've never seen such disorder "
Composition in early cold war America
After Europe: A Rake's reception
9. Mediating Serialism
A dialogue dissolves
Concerts and commissions post-1952
Boulanger teaches Stravinsky's twelve-tone music
10. Insider/Outsider
Stravinsky's Failing Health
Conclusion
Bibliography
List of Figures
List of Tables
Note on Translations and Transliterations
Abbreviations
Note on Sources
About the Companion Website
Introduction
Boulanger and Bourdieu
Chapter Overview
PART ONE
1. Foundations (1929-1932)
Membre de famille: Boulanger and Soulima Stravinsky
A trip to Brussels
Lessons and love
2. Master Copy: Correcting the Symphonie de psaumes
Editorial process and power
Soulima Stravinsky and advanced studies
Main idea or major and minor thirds
A dialogue established
3. Surviving the Great Depression: 1932-1936
The last Parisian project: Perséphone
Loss and recovery: 1935-36
4. Beyond France: 1937-1939
Dumbarton Oaks
Increasing tensions, failing health
Toward war
PART TWO
5. The War, 1940-1942
Romantic complications
American reunions
6. Together, 1942-1945
1943
1944
1945
A way home
Residue/rupture
7. Redefining a Partnership, Reestablishing an Icon: 1946-1949
Stravinsky's Mass
The beginning of the end
PART THREE
8. The Last Project: The Rake's Progress, 1948-1952
An opera
The premiere: "I've never seen such disorder "
Composition in early cold war America
After Europe: A Rake's reception
9. Mediating Serialism
A dialogue dissolves
Concerts and commissions post-1952
Boulanger teaches Stravinsky's twelve-tone music
10. Insider/Outsider
Stravinsky's Failing Health
Conclusion
Bibliography