The book focuses on the interpretation of Shakespeare film adaptations in commercial film genres, from the classical Hollywood era to contemporary blockbuster cinema. Its genre-based analyses revisit old favourites and rediscover long-forgotten treasures of film history, taking adaptation studies in a new direction.
The book focuses on the interpretation of Shakespeare film adaptations in commercial film genres, from the classical Hollywood era to contemporary blockbuster cinema. Its genre-based analyses revisit old favourites and rediscover long-forgotten treasures of film history, taking adaptation studies in a new direction.
Kinga Földváry is Senior Lecturer at Pázmány Péter Catholic University in Budapest, Hungary
Inhaltsangabe
Introduction: Shakespeare meets genre film Part I: Classical Hollywood cinema 1 Will in the Wild West: western adaptations of Shakespeare 2 Shakespeare the tear-jerker: from woman's film to global melodrama 3 Dark-minded Othellos, mobster Macbeths: film noir, gangster, gangster noir Part II: Contemporary blockbusters 4 Back to school, Will: Shakespeare the teen idol 5 Shakespeare the undead: a renaissance of vampires and zombies 6 Will, Bill and the Earl: versions of the author in contemporary biopics Conclusion Index
Introduction: Shakespeare meets genre film Part I: Classical Hollywood cinema 1 Will in the Wild West: western adaptations of Shakespeare 2 Shakespeare the tear-jerker: from woman's film to global melodrama 3 Dark-minded Othellos, mobster Macbeths: film noir, gangster, gangster noir Part II: Contemporary blockbusters 4 Back to school, Will: Shakespeare the teen idol 5 Shakespeare the undead: a renaissance of vampires and zombies 6 Will, Bill and the Earl: versions of the author in contemporary biopics Conclusion Index
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