Hannie Lawlor
Relational Responses to Trauma in Twenty-First-Century French and Spanish Women's Writing
Hannie Lawlor
Relational Responses to Trauma in Twenty-First-Century French and Spanish Women's Writing
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This book breaks new ground in research on contemporary French and Spanish literature and studies on autobiography. Its appeal also extends beyond these fields to trauma and memory studies, and it shines a light on twenty-first-century works that have received little critical attention to date
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This book breaks new ground in research on contemporary French and Spanish literature and studies on autobiography. Its appeal also extends beyond these fields to trauma and memory studies, and it shines a light on twenty-first-century works that have received little critical attention to date
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 240
- Erscheinungstermin: 27. November 2024
- Englisch
- Abmessung: 237mm x 164mm x 20mm
- Gewicht: 535g
- ISBN-13: 9780198916734
- ISBN-10: 0198916736
- Artikelnr.: 72121300
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Oxford University Press
- Seitenzahl: 240
- Erscheinungstermin: 27. November 2024
- Englisch
- Abmessung: 237mm x 164mm x 20mm
- Gewicht: 535g
- ISBN-13: 9780198916734
- ISBN-10: 0198916736
- Artikelnr.: 72121300
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Hannie Lawlor is Associate Professor in Modern Spanish Literature and Film at Lady Margaret Hall and Somerville College, University of Oxford. Previously, she was Lecturer in Spanish at University College Dublin, and she holds a PhD from Wolfson College, Oxford. Her comparative research focuses on twentieth- and twenty-first-century Spanish women's prose and film and on twenty-first-century life narratives, and with Dr Alexandra Effe, she is co-editor of The Autofictional: Approaches, Affordances, Forms (Cham: Palgrave Macmillan, 2022).
* Dialogues in Twenty-First-Century Life Writing
* Part One
* 1: Traumatic Legacies and Narrative Claims: Rewriting Relations in
Colombe Schneck's La Réparation (2012) and Juana Salabert's
Velódromo de Invierno(2001)
* 1.1: The Matter of Inheritance
* 1.2: Relations, Repairs and Replacement in La Réparation
* 1.3: Missing Fathers and Illegitimate Authors: Velódromo de Invierno
* Displaced Subjects and Ventriloquised Voices: Intergenerational
Relations and The Ethics of Representation in Dulce Chacón's La voz
dormida (2002) and Lydie Salvayre's Pas pleurer (2014) 69
* 2.1: Loudspeakers and Mouthpieces: Contrasting Approaches to Telling
the Other's Tale
* 2.2: Magnified Stories, Minimised Voices: La voz dormida
* 2.3: Pas pleurer: Speaking in (M)other Tongues
* 2.4: Reciprocal Relations and the Ethics of Postmemory
* Part Two
* Legacy, Lineage and lignes de fuite: Intergenerational Transmission
in Nicole Lapierre's Sauve qui peut la vie (2015) and Gabriela
Ybarra's El comensal (2015)
* 3.1: (Dis)Connecting Traumatic Histories
* 3.2: Lines of Flight in Sauve qui peut la vie
* 3.3: Narrative Loops and Impending Returns in El comensal
* 3.4: Images of Intergenerational Transmission
* Burials, Exhumations, and Textual Tombs: Addressing the Other in
Milena Busquets's También esto pasará (2015) and Sophie Daull's
Camille, mon envolée (2015)
* 4.1: The Function of Funerals
* 4.2: Scattered Ashes in También esto pasará
* 4.3: Constructing a Cenotaph: Camille, mon envolée
* 4.4: Burial Shrouds in La Suture (2016)
* 4.5: Ethical Reburials and Alternative Conversations
* Part Three
* Clashing Family Stories and Inconceivable Conversations: Christine
Angot's Un amour impossible (2015) and Cristina Fallarás's Honrarás a
tu padre y a tu madre (2018)
* 5.1: Misalliance, Transmission and Incestuous Desire
* 5.2: Illusory Exchanges in Un amour impossible
* 5.3: Dialogues with the Dead: Honrarás a tu padre y a tu madre
* 5.4: Contaminating Conversations
* Writing Relational Lives
* Bibliography
* Part One
* 1: Traumatic Legacies and Narrative Claims: Rewriting Relations in
Colombe Schneck's La Réparation (2012) and Juana Salabert's
Velódromo de Invierno(2001)
* 1.1: The Matter of Inheritance
* 1.2: Relations, Repairs and Replacement in La Réparation
* 1.3: Missing Fathers and Illegitimate Authors: Velódromo de Invierno
* Displaced Subjects and Ventriloquised Voices: Intergenerational
Relations and The Ethics of Representation in Dulce Chacón's La voz
dormida (2002) and Lydie Salvayre's Pas pleurer (2014) 69
* 2.1: Loudspeakers and Mouthpieces: Contrasting Approaches to Telling
the Other's Tale
* 2.2: Magnified Stories, Minimised Voices: La voz dormida
* 2.3: Pas pleurer: Speaking in (M)other Tongues
* 2.4: Reciprocal Relations and the Ethics of Postmemory
* Part Two
* Legacy, Lineage and lignes de fuite: Intergenerational Transmission
in Nicole Lapierre's Sauve qui peut la vie (2015) and Gabriela
Ybarra's El comensal (2015)
* 3.1: (Dis)Connecting Traumatic Histories
* 3.2: Lines of Flight in Sauve qui peut la vie
* 3.3: Narrative Loops and Impending Returns in El comensal
* 3.4: Images of Intergenerational Transmission
* Burials, Exhumations, and Textual Tombs: Addressing the Other in
Milena Busquets's También esto pasará (2015) and Sophie Daull's
Camille, mon envolée (2015)
* 4.1: The Function of Funerals
* 4.2: Scattered Ashes in También esto pasará
* 4.3: Constructing a Cenotaph: Camille, mon envolée
* 4.4: Burial Shrouds in La Suture (2016)
* 4.5: Ethical Reburials and Alternative Conversations
* Part Three
* Clashing Family Stories and Inconceivable Conversations: Christine
Angot's Un amour impossible (2015) and Cristina Fallarás's Honrarás a
tu padre y a tu madre (2018)
* 5.1: Misalliance, Transmission and Incestuous Desire
* 5.2: Illusory Exchanges in Un amour impossible
* 5.3: Dialogues with the Dead: Honrarás a tu padre y a tu madre
* 5.4: Contaminating Conversations
* Writing Relational Lives
* Bibliography
* Dialogues in Twenty-First-Century Life Writing
* Part One
* 1: Traumatic Legacies and Narrative Claims: Rewriting Relations in
Colombe Schneck's La Réparation (2012) and Juana Salabert's
Velódromo de Invierno(2001)
* 1.1: The Matter of Inheritance
* 1.2: Relations, Repairs and Replacement in La Réparation
* 1.3: Missing Fathers and Illegitimate Authors: Velódromo de Invierno
* Displaced Subjects and Ventriloquised Voices: Intergenerational
Relations and The Ethics of Representation in Dulce Chacón's La voz
dormida (2002) and Lydie Salvayre's Pas pleurer (2014) 69
* 2.1: Loudspeakers and Mouthpieces: Contrasting Approaches to Telling
the Other's Tale
* 2.2: Magnified Stories, Minimised Voices: La voz dormida
* 2.3: Pas pleurer: Speaking in (M)other Tongues
* 2.4: Reciprocal Relations and the Ethics of Postmemory
* Part Two
* Legacy, Lineage and lignes de fuite: Intergenerational Transmission
in Nicole Lapierre's Sauve qui peut la vie (2015) and Gabriela
Ybarra's El comensal (2015)
* 3.1: (Dis)Connecting Traumatic Histories
* 3.2: Lines of Flight in Sauve qui peut la vie
* 3.3: Narrative Loops and Impending Returns in El comensal
* 3.4: Images of Intergenerational Transmission
* Burials, Exhumations, and Textual Tombs: Addressing the Other in
Milena Busquets's También esto pasará (2015) and Sophie Daull's
Camille, mon envolée (2015)
* 4.1: The Function of Funerals
* 4.2: Scattered Ashes in También esto pasará
* 4.3: Constructing a Cenotaph: Camille, mon envolée
* 4.4: Burial Shrouds in La Suture (2016)
* 4.5: Ethical Reburials and Alternative Conversations
* Part Three
* Clashing Family Stories and Inconceivable Conversations: Christine
Angot's Un amour impossible (2015) and Cristina Fallarás's Honrarás a
tu padre y a tu madre (2018)
* 5.1: Misalliance, Transmission and Incestuous Desire
* 5.2: Illusory Exchanges in Un amour impossible
* 5.3: Dialogues with the Dead: Honrarás a tu padre y a tu madre
* 5.4: Contaminating Conversations
* Writing Relational Lives
* Bibliography
* Part One
* 1: Traumatic Legacies and Narrative Claims: Rewriting Relations in
Colombe Schneck's La Réparation (2012) and Juana Salabert's
Velódromo de Invierno(2001)
* 1.1: The Matter of Inheritance
* 1.2: Relations, Repairs and Replacement in La Réparation
* 1.3: Missing Fathers and Illegitimate Authors: Velódromo de Invierno
* Displaced Subjects and Ventriloquised Voices: Intergenerational
Relations and The Ethics of Representation in Dulce Chacón's La voz
dormida (2002) and Lydie Salvayre's Pas pleurer (2014) 69
* 2.1: Loudspeakers and Mouthpieces: Contrasting Approaches to Telling
the Other's Tale
* 2.2: Magnified Stories, Minimised Voices: La voz dormida
* 2.3: Pas pleurer: Speaking in (M)other Tongues
* 2.4: Reciprocal Relations and the Ethics of Postmemory
* Part Two
* Legacy, Lineage and lignes de fuite: Intergenerational Transmission
in Nicole Lapierre's Sauve qui peut la vie (2015) and Gabriela
Ybarra's El comensal (2015)
* 3.1: (Dis)Connecting Traumatic Histories
* 3.2: Lines of Flight in Sauve qui peut la vie
* 3.3: Narrative Loops and Impending Returns in El comensal
* 3.4: Images of Intergenerational Transmission
* Burials, Exhumations, and Textual Tombs: Addressing the Other in
Milena Busquets's También esto pasará (2015) and Sophie Daull's
Camille, mon envolée (2015)
* 4.1: The Function of Funerals
* 4.2: Scattered Ashes in También esto pasará
* 4.3: Constructing a Cenotaph: Camille, mon envolée
* 4.4: Burial Shrouds in La Suture (2016)
* 4.5: Ethical Reburials and Alternative Conversations
* Part Three
* Clashing Family Stories and Inconceivable Conversations: Christine
Angot's Un amour impossible (2015) and Cristina Fallarás's Honrarás a
tu padre y a tu madre (2018)
* 5.1: Misalliance, Transmission and Incestuous Desire
* 5.2: Illusory Exchanges in Un amour impossible
* 5.3: Dialogues with the Dead: Honrarás a tu padre y a tu madre
* 5.4: Contaminating Conversations
* Writing Relational Lives
* Bibliography