"Through a focus on recent film, this study examines the representation of neoliberal subjects from contemporary European, Russian and American cinema"--
"Through a focus on recent film, this study examines the representation of neoliberal subjects from contemporary European, Russian and American cinema"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Helga Druxes is Paul H. Hunn '55 Professor in Social Studies, emerita, in the Department of German and Russian at Williams College, USA. With Patricia A. Simpson, she published an edited volume Digital Media Strategies of the Far Right Across Europe and the United States (2015), an edited volume on Navid Kermani (2016), and articles on migration film, and recent German fiction about exile and memory. Alexandar Mihailovic is Professor Emeritus of Comparative Literature and Russian at Hofstra University, USA and has taught at Williams and Bennington Colleges and in the Slavic Studies department at Brown University. His books include The Mitki and the Art of Postmodern Protest in Russia (2018), Corporeal Words: Mikhail Bakhtin's Theology of Discourse (1997), and the edited volume Tchaikovsky and His Contemporaries (Praeger, 1999). Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln, USA. She publishes widely on German cultural studies from the early modern era to the present. She is currently completing a book-length study of coloniality and decolonial discourses and practices in German-speaking Europe.
Inhaltsangabe
Acknowledgements Introduction: A Cinema Against Precarity and Predatory Neoliberalism 1. Working-Class Solidarity as Project in Contemporary Franco-Belgian Factory Films Helga Druxes (Williams College, USA) 2. Arts of Resistance in the Post-Socialist Workplace Patricia Anne Simpson (University of Nebraska-Lincoln, USA) 3. Fevered Dreams of Neoliberalism in Films Made for the Russian Market Alexandar Mihailovic (Bennington College, USA) 4. The Neoliberalization of Russia in the Films of Andrei Zvyagintsev Alexandar Mihailovic (Bennington College, USA) 5. Becoming Other: Neoliberalism and "Suboptimal" Bodies Patricia Anne Simpson (University of Nebraska-Lincoln, USA) 6. Debased Black Masculinity as an Engine for Neoliberal Economies in African American Cinema Helga Druxes (Williams College, USA) 7. Aging Out of the American Workplace: Intentional Communities and the Lure of the Open Road Helga Druxes (Williams College, USA) Epilogue Helga Druxes (Williams College, USA), Patricia Anne Simpson (University of Nebraska-Lincoln, USA), Alexandar Mihailovic (Bennington College, USA) BIbliography Index
Acknowledgements Introduction: A Cinema Against Precarity and Predatory Neoliberalism 1. Working-Class Solidarity as Project in Contemporary Franco-Belgian Factory Films Helga Druxes (Williams College, USA) 2. Arts of Resistance in the Post-Socialist Workplace Patricia Anne Simpson (University of Nebraska-Lincoln, USA) 3. Fevered Dreams of Neoliberalism in Films Made for the Russian Market Alexandar Mihailovic (Bennington College, USA) 4. The Neoliberalization of Russia in the Films of Andrei Zvyagintsev Alexandar Mihailovic (Bennington College, USA) 5. Becoming Other: Neoliberalism and "Suboptimal" Bodies Patricia Anne Simpson (University of Nebraska-Lincoln, USA) 6. Debased Black Masculinity as an Engine for Neoliberal Economies in African American Cinema Helga Druxes (Williams College, USA) 7. Aging Out of the American Workplace: Intentional Communities and the Lure of the Open Road Helga Druxes (Williams College, USA) Epilogue Helga Druxes (Williams College, USA), Patricia Anne Simpson (University of Nebraska-Lincoln, USA), Alexandar Mihailovic (Bennington College, USA) BIbliography Index
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