Introduction Approaching the Reproductive Arts "Partitions de Piano" Between "Text" and "Event": Liszt's Guillaume Tell Overture Translating the Orchestra: Liszt's Two-Piano Arrangements of His Symphonic Poems Interpretive Fidelity to Gypsy Creativity: Representations of Hungarian-Gypsy Cimbalom Playing Conclusions: Recurring Techniques and Aesthetics Appendix: Liszt's Preface to his Piano Arrangements of Beethoven's Fifth and Sixth Symphonies in the Breitkopf & Härtel's edition, 1840 Bibliography
Introduction Approaching the Reproductive Arts "Partitions de Piano" Between "Text" and "Event": Liszt's Guillaume Tell Overture Translating the Orchestra: Liszt's Two-Piano Arrangements of His Symphonic Poems Interpretive Fidelity to Gypsy Creativity: Representations of Hungarian-Gypsy Cimbalom Playing Conclusions: Recurring Techniques and Aesthetics Appendix: Liszt's Preface to his Piano Arrangements of Beethoven's Fifth and Sixth Symphonies in the Breitkopf & Härtel's edition, 1840 Bibliography
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