Using Chela Sandoval's theories of methodologies of the oppressed, this book examines the art created by several Caribbean women who use literature, film, graphic novels, music, testimonios, photographs, and other forms of art to convey social justice, democracy, and new ways of re/imaging marginal identities.
Using Chela Sandoval's theories of methodologies of the oppressed, this book examines the art created by several Caribbean women who use literature, film, graphic novels, music, testimonios, photographs, and other forms of art to convey social justice, democracy, and new ways of re/imaging marginal identities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Irune del Rio Gabiola is associate professor of Spanish and director of the Gender, Women, and Sexuality Studies Program at Butler University.
Inhaltsangabe
Contents Introduction: Dismantling Cultural Paradigms in search of Inclusivity and Revolutionary Love Puerto Rico Chapter 1: Shame and Failure: Positive Narratives to Re/image Queer Identity in the Transnational Puerto Rican Context Chapter 2: A Queer Way of Family Life: Narratives of Time and Space in Mayra Santos- Febres's Sirena Selena vestida de pena Cuba Chapter 3: Divas, Atrevidas y Entendidas; Cuban Hip Hop Group Krudas Cubensi ConQueering Love Across the Transnational Space Chapter 4: Unbecoming Cuban-American: An Analysis of Cristy Road's Graphic Narratives The Dominican Republic Chapter 5: Flexible Bodies in Cyberspace: Representations of Dominicanidad in the art of Raquel Paiewonsky Chapter 6: The Lesbian Body as Home: Queering Dominican Women's Experiences Conclusion: Emancipatory Techniques in Contemporary Art in the Transnational Caribbean Context References About the Author
Contents Introduction: Dismantling Cultural Paradigms in search of Inclusivity and Revolutionary Love Puerto Rico Chapter 1: Shame and Failure: Positive Narratives to Re/image Queer Identity in the Transnational Puerto Rican Context Chapter 2: A Queer Way of Family Life: Narratives of Time and Space in Mayra Santos- Febres's Sirena Selena vestida de pena Cuba Chapter 3: Divas, Atrevidas y Entendidas; Cuban Hip Hop Group Krudas Cubensi ConQueering Love Across the Transnational Space Chapter 4: Unbecoming Cuban-American: An Analysis of Cristy Road's Graphic Narratives The Dominican Republic Chapter 5: Flexible Bodies in Cyberspace: Representations of Dominicanidad in the art of Raquel Paiewonsky Chapter 6: The Lesbian Body as Home: Queering Dominican Women's Experiences Conclusion: Emancipatory Techniques in Contemporary Art in the Transnational Caribbean Context References About the Author
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