"The first comprehensive study of New York art patron and collector Lillie P. Bliss (1864-1931), examining her influential work as an art collector, advocate, and museum founder (MoMA). Combining archival materials, art market analysis, and the evolution of New York's museum scene, the book reconstructs Bliss's career, highlighting her influence on markets and taste. It also reevaluates MoMA's origins, demonstrating how her visionary bequest significantly contributed to the institution's growth and authority during its formative years"--
"The first comprehensive study of New York art patron and collector Lillie P. Bliss (1864-1931), examining her influential work as an art collector, advocate, and museum founder (MoMA). Combining archival materials, art market analysis, and the evolution of New York's museum scene, the book reconstructs Bliss's career, highlighting her influence on markets and taste. It also reevaluates MoMA's origins, demonstrating how her visionary bequest significantly contributed to the institution's growth and authority during its formative years"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Irene M. Walsh is a London-based, independent art historian and writer focused on European and American modern art, museums, and the art markets.
Inhaltsangabe
List of Illustrations Acknowledgements Series Editor Preface 1. Introduction: Engaging with Modern Art, Artists, and Advocacy in Progressive-era New York Foundations and a turn towards art at an opportune time Establishing a market presence through the Macbeth Gallery The emergence of Arthur B. Davies The Armory Show as seminal moment 2. Collecting and Exhibiting in a Fractured World The Armory Show and war influence art and taste, and reshape the art market Marius deZayas as prime dealer and influencer Inaugural museum exhibitions of modern art provide inspiration 3. Achieving "A Perfectly Rounded Thing" Replicating the museum exhibitions in an expanded collection Opportunities, losses, liberation Advantageous engagement with a transatlantic dealer network Transactional dealer relationships in a post-Davies world 4. From Dream to Reality: A Museum is Born Inception and foundational challenges The exhibition programme's impact on identity, narrative, and reputation Bliss's valedictory season 5. The Bliss Bequest: "A Big and Generous Idea" The Last Will and Testament as guide and precedent The American Luxembourg as defensive strategy MoMA earns the Bequest 6. The Rise and Fall of the Bliss Collection The Bliss collection at work: didactic exhibitions and donor influence The Bliss collection adrift as institutional identity evolves The war years: financial challenges, management discontinuity, flawed deaccessioning Epilogue Conclusion Select Bibliography Notes Index
List of Illustrations Acknowledgements Series Editor Preface 1. Introduction: Engaging with Modern Art, Artists, and Advocacy in Progressive-era New York Foundations and a turn towards art at an opportune time Establishing a market presence through the Macbeth Gallery The emergence of Arthur B. Davies The Armory Show as seminal moment 2. Collecting and Exhibiting in a Fractured World The Armory Show and war influence art and taste, and reshape the art market Marius deZayas as prime dealer and influencer Inaugural museum exhibitions of modern art provide inspiration 3. Achieving "A Perfectly Rounded Thing" Replicating the museum exhibitions in an expanded collection Opportunities, losses, liberation Advantageous engagement with a transatlantic dealer network Transactional dealer relationships in a post-Davies world 4. From Dream to Reality: A Museum is Born Inception and foundational challenges The exhibition programme's impact on identity, narrative, and reputation Bliss's valedictory season 5. The Bliss Bequest: "A Big and Generous Idea" The Last Will and Testament as guide and precedent The American Luxembourg as defensive strategy MoMA earns the Bequest 6. The Rise and Fall of the Bliss Collection The Bliss collection at work: didactic exhibitions and donor influence The Bliss collection adrift as institutional identity evolves The war years: financial challenges, management discontinuity, flawed deaccessioning Epilogue Conclusion Select Bibliography Notes Index
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