The Selling and Self-Regulation of Contemporary Poetry is the first book-length study of the contemporary poetry industry. By documenting radical changes over the past decade in the way poems are published, marketed, and circulated, it connects the seemingly small world of poetry with the other, wider creative industries.
The Selling and Self-Regulation of Contemporary Poetry is the first book-length study of the contemporary poetry industry. By documenting radical changes over the past decade in the way poems are published, marketed, and circulated, it connects the seemingly small world of poetry with the other, wider creative industries.
J. T. Welsch is a writer and critic, and a lecturer in english and creative industries at the University of York.
Inhaltsangabe
Introduction - An Essential Industry: PoBiz in the New Millennium Part I: New Markets 1. The Generation Game: Anthologising the New Consensus 2. Shortlisted Against My Ruins: Scandals in the New Prize Culture 3. Poetry as Content: The Network Value of Lyrical Thought Part II: New Products 4. Full-Length: The Rise & Reification of the Modern Poetry Collection 5. Poetic Devices: Book Technologies of a Retro-Future 6. The Big Debut Part III: New Policy 7. Creative Capital: The Consolidation of London's Poetry Power 8. Plagiarism Police and the Re-Conception of Originality 9. Practice-Based Priorities: Studying Poetry Across the Creative-Critical Divide Part IV: New Producers 10. Poetry & Work: Some Thoughts on Paterson 11. Delighted & Humbled: The Poet as Entrepreneur 12. The Promise of Professionalism Conclusion - The Poetry Game: Markets & Metrics of Anxiety Index.
Introduction - An Essential Industry: PoBiz in the New Millennium Part I: New Markets 1. The Generation Game: Anthologising the New Consensus 2. Shortlisted Against My Ruins: Scandals in the New Prize Culture 3. Poetry as Content: The Network Value of Lyrical Thought Part II: New Products 4. Full-Length: The Rise & Reification of the Modern Poetry Collection 5. Poetic Devices: Book Technologies of a Retro-Future 6. The Big Debut Part III: New Policy 7. Creative Capital: The Consolidation of London's Poetry Power 8. Plagiarism Police and the Re-Conception of Originality 9. Practice-Based Priorities: Studying Poetry Across the Creative-Critical Divide Part IV: New Producers 10. Poetry & Work: Some Thoughts on Paterson 11. Delighted & Humbled: The Poet as Entrepreneur 12. The Promise of Professionalism Conclusion - The Poetry Game: Markets & Metrics of Anxiety Index.
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