This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera's performance, and to which the libretto author, Alessandro Striggio the Younger, belonged.
This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera's performance, and to which the libretto author, Alessandro Striggio the Younger, belonged.
Joel Schwindt is Assistant Professor of Core Studies (Music History), Boston Conservatory at Berklee. He holds a PhD in Musicology from Brandeis University.
Inhaltsangabe
Introduction: "The Invaghiti Orfeo" Chapter 1: The World of the Italian Academies Chapter 2: The Invaghiti's Literary Theater Chapter 3: Musical Virtuosity and the Orphic Ideal Chapter 4: Oratory and Noble Virtù Chapter 5: Patriarchal Guidance, Gendered Educational Privilege Chapter 6: The Mystical Architecture of Orfeo Envoi: Orpheus's Exit from the Academy
Introduction: "The Invaghiti Orfeo" Chapter 1: The World of the Italian Academies Chapter 2: The Invaghiti's Literary Theater Chapter 3: Musical Virtuosity and the Orphic Ideal Chapter 4: Oratory and Noble Virtù Chapter 5: Patriarchal Guidance, Gendered Educational Privilege Chapter 6: The Mystical Architecture of Orfeo Envoi: Orpheus's Exit from the Academy
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