This in-depth analysis of Adrian Pipers art locates her groundbreaking work at the nexus of Conceptual and feminist art of the late 1960s and 1970s.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
John P. Bowles is Associate Professor of African American Art at the University of North Carolina, Chapel Hill. His articles and art criticism have appeared in Signs, American Art, Art Journal, Art in America, and Art Papers, among other publications.
Inhaltsangabe
Illustrations vii Acknowledgments xi Introduction: Adrian Piper's Performance of Race and the Moral Question of Racism 1 Section I, 1965-1970 > 1. Contingent and Universal: Adrian Piper and the Minimalist Ideal 33 2. Hypothesis: Modernism and the Woman Artist's Studio 69 Section II, 1970-1975 > 3. May 1970: Art and Activism 125 4. Catalysis: Feminist Art and Experience 162 5. Food for the Spirit: Transcendence and Desire 205 6. "Acting Like a Man": The Mythic Being and Black Feminism 229 Conclusion: The Mythic Being and the Aesthetics of Direct Address 257 Notes 263 Bibliography 299 Index 319
Illustrations vii Acknowledgments xi Introduction: Adrian Piper's Performance of Race and the Moral Question of Racism 1 Section I, 1965-1970 > 1. Contingent and Universal: Adrian Piper and the Minimalist Ideal 33 2. Hypothesis: Modernism and the Woman Artist's Studio 69 Section II, 1970-1975 > 3. May 1970: Art and Activism 125 4. Catalysis: Feminist Art and Experience 162 5. Food for the Spirit: Transcendence and Desire 205 6. "Acting Like a Man": The Mythic Being and Black Feminism 229 Conclusion: The Mythic Being and the Aesthetics of Direct Address 257 Notes 263 Bibliography 299 Index 319
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