In this book, Austinargues against the traditional critical view that minimizes Proust's practice of pastiche-the imitation of a writer's style-and that considers it a simple exercise of mastering the predecessor. Instead, this work establishes pastiche as a powerful, ubiquitous practice central to Proust's entire oeuvre.
In this book, Austinargues against the traditional critical view that minimizes Proust's practice of pastiche-the imitation of a writer's style-and that considers it a simple exercise of mastering the predecessor. Instead, this work establishes pastiche as a powerful, ubiquitous practice central to Proust's entire oeuvre.
James F. Austin is associate professor of French at Connecticut College.
Inhaltsangabe
Contents Introduction 1. Proust in School French Education and Pastiche Proust the Schoolboy, or, Pastiche Revisited The "Pedagogical Scene" in A l'ombre des jeunes filles en fleurs An Apple for Andrée: Pedagogy and Education Reform in Proust's Recherche 2. Parody and Pastiche in Nineteenth-Century French Literature Parody vs. Pastiche A few examples of nineteenth-century pastiche 3. Why Proust's pastiches are neither parodic, nor a proof of mastery over the predecessor Proust's Pastiches The "Affaire Lemoine" Pastiches Why Proust Wrote Pastiche (Critical Views of the Last Four Decades) Self-pastiche 4. What can pastiche do? Pastiche as Performance Retroactive literature Flaubert, à la Proust Je me suis toujours fait une certaine idée de Balzac... How to Make Friends With Words (Literature as Socially Performative) On the "Seriousness" of Pastiche 5. Pastiche as Politically and Economically Performative in the RecherchePerformative styles and imperative politics: Proust's "optatif" Buy! Proust: Copiest, Pasticheur, or Pierre Menard? A genetic examination of the manuscript. The politics of media and advertising 6. Proust's Goncourt Pastiche and the Postmodern Proust Postmodern? What is Postmodernism? A Theoretical Introduction. Postmodern Pastiche From the "first style" to the "neo" Glimmerings of Postmodern Nostalgia: The Goncourt Pastiche The End of Influence, the Beginning of Postmodernity 7. Literary Pastiche Since Proust Proustian Pastiche after Proust Martin-Chauffier, Maurois, and Modiano, or "Pasticheur pastiché" OuLiPo: Potential Literature Right-Wing Pastiche (Vichy and the Collaborationists)Pastiche: Literary Genre, or Mere Moment? 8. Pastiche Proustian, Postmodern, and Purloined in the Cinema, or, Where's the pastiche in French Film? Jameson's mode rétro: Filming "the imaginary style of a real past" Ruiz's Le temps retrouvé Stan Douglas's "Overture": An adaptation counterexample to heritage pastiche 9. Postmodern Pastiche in the Films of Rohmer and Gans Rohmer's L'anglaise et le duc: The Eighteenth Century as You Have Always/Never Seen It Hutcheon and Jameson on pastiche: the critical potential of postmodernism Critical malgré soi: Le pacte des loups Conclusion Bibliography Index About the Author
Contents Introduction 1. Proust in School French Education and Pastiche Proust the Schoolboy, or, Pastiche Revisited The "Pedagogical Scene" in A l'ombre des jeunes filles en fleurs An Apple for Andrée: Pedagogy and Education Reform in Proust's Recherche 2. Parody and Pastiche in Nineteenth-Century French Literature Parody vs. Pastiche A few examples of nineteenth-century pastiche 3. Why Proust's pastiches are neither parodic, nor a proof of mastery over the predecessor Proust's Pastiches The "Affaire Lemoine" Pastiches Why Proust Wrote Pastiche (Critical Views of the Last Four Decades) Self-pastiche 4. What can pastiche do? Pastiche as Performance Retroactive literature Flaubert, à la Proust Je me suis toujours fait une certaine idée de Balzac... How to Make Friends With Words (Literature as Socially Performative) On the "Seriousness" of Pastiche 5. Pastiche as Politically and Economically Performative in the RecherchePerformative styles and imperative politics: Proust's "optatif" Buy! Proust: Copiest, Pasticheur, or Pierre Menard? A genetic examination of the manuscript. The politics of media and advertising 6. Proust's Goncourt Pastiche and the Postmodern Proust Postmodern? What is Postmodernism? A Theoretical Introduction. Postmodern Pastiche From the "first style" to the "neo" Glimmerings of Postmodern Nostalgia: The Goncourt Pastiche The End of Influence, the Beginning of Postmodernity 7. Literary Pastiche Since Proust Proustian Pastiche after Proust Martin-Chauffier, Maurois, and Modiano, or "Pasticheur pastiché" OuLiPo: Potential Literature Right-Wing Pastiche (Vichy and the Collaborationists)Pastiche: Literary Genre, or Mere Moment? 8. Pastiche Proustian, Postmodern, and Purloined in the Cinema, or, Where's the pastiche in French Film? Jameson's mode rétro: Filming "the imaginary style of a real past" Ruiz's Le temps retrouvé Stan Douglas's "Overture": An adaptation counterexample to heritage pastiche 9. Postmodern Pastiche in the Films of Rohmer and Gans Rohmer's L'anglaise et le duc: The Eighteenth Century as You Have Always/Never Seen It Hutcheon and Jameson on pastiche: the critical potential of postmodernism Critical malgré soi: Le pacte des loups Conclusion Bibliography Index About the Author
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