Taking Back Desire studies film, television and video art texts through a Lacanian prism to restore a sense of queer as troubling identity and resistance to neoliberal forms of inclusion.
Taking Back Desire studies film, television and video art texts through a Lacanian prism to restore a sense of queer as troubling identity and resistance to neoliberal forms of inclusion.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James Lawrence Slattery completed their PhD in English and American Studies from the University of Manchester in 2023, funded by the Arts and Humanities Research Council. They also hold a master's degree in film Aesthetics with Distinction from the University of Oxford, formally organised the Manchester Queer Research Network, and have published essays and reviews in academic journals, edited collections and cultural publications. Their work investigates the moving image and visual culture to rethink identity and subjectivity in late-stage capitalism.
Inhaltsangabe
Series Foreword by Ian Parker Acknowledgements Introduction Chapter 1. The Real of Realness: Pose, Paris Is Burning and the limits of authenticity Chapter 2. The Feminine Shadow: Sexual difference, race and noir in Sharp Objects Chapter 3. WELCOME 2 REALITY: Ryan Trecartin's Priority Innfield Chapter 4. Bodies That Shatter: The negative content of 120 BPM Conclusion: Coda: Unfixed and Open-Ended Bibliography and Filmography
Series Foreword by Ian Parker Acknowledgements Introduction Chapter 1. The Real of Realness: Pose, Paris Is Burning and the limits of authenticity Chapter 2. The Feminine Shadow: Sexual difference, race and noir in Sharp Objects Chapter 3. WELCOME 2 REALITY: Ryan Trecartin's Priority Innfield Chapter 4. Bodies That Shatter: The negative content of 120 BPM Conclusion: Coda: Unfixed and Open-Ended Bibliography and Filmography
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