The Trauma of Defeat - Skidmore, James M.
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This is the first book-length study to consider Ricarda Huch's historical-political thought and assess Huch's place within the lively historiographical discourses of the 1920s. One of the most famous writers of her day, Huch (1864-1947) was known for her poetry, fiction, and histories of German Romanticism and the Thirty Years' War. Like many of her generation Huch was shaken by Germany's defeat in the First World War, and this shock motivated her to use her historiography to address Germany's post-war situation. Convinced that the German nation possessed an identity best expressed by the…mehr

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Produktbeschreibung
This is the first book-length study to consider Ricarda Huch's historical-political thought and assess Huch's place within the lively historiographical discourses of the 1920s. One of the most famous writers of her day, Huch (1864-1947) was known for her poetry, fiction, and histories of German Romanticism and the Thirty Years' War. Like many of her generation Huch was shaken by Germany's defeat in the First World War, and this shock motivated her to use her historiography to address Germany's post-war situation. Convinced that the German nation possessed an identity best expressed by the ideals of Romanticism, Huch attributed Germany's decline to the westernization of German political culture; absolutism and centralization had replaced the theoretical perfection of the decentralized early Holy Roman Empire of the German Nation. Her Weimar histories of medieval and nineteenth-century Germany urged a defeated and traumatized nation to return to a path that had been abandoned during the Wilhelmine Empire. Topics explored include Huch's use of Nietzschean monumentalism, a comparison with popular historians of the period (e.g. E. Kantorowicz), the echoes of her political thought in her poetry and fiction, and her complex relationship to German nationalism.
Autorenporträt
The Author: James M. Skidmore studied French and German at the University of Saskatchewan and received his Ph.D. in German from Princeton University. He is Associate Professor of German Studies at the University of Waterloo. He has published on R. Huch, German film, and 20th-century German literature and culture.
Rezensionen
«... this is a persuasively argued study of hitherto unmapped territory, and a useful contribution to the contextualization which Huch has been owed for some time.» (Steffan Davies, Modern Language Review)
«Die handliche Monographie ist gut geschrieben und gibt wichtige Anregungen zu weiterer Auseinandersetzung mit H.s Werk.» (Waltraud Maierhofer, Germanistik)