Aotearoa New Zealand primarily focus on examples of New Zealand theatrical work toured and performed internationally under the accelerated globalised conditions over the last thirty years.
Aotearoa New Zealand primarily focus on examples of New Zealand theatrical work toured and performed internationally under the accelerated globalised conditions over the last thirty years.
James Wenley is a theatre academic, practitioner and critic with a passion for promoting the theatre of Aotearoa New Zealand. He was awarded a PhD from the University of Auckland and is curently a lecturer in theatre programme of Te Herenga Waka-Victoria University of Wellington. James directs and produces for his company Theatre of Love. He is the editor and founder of TheatreScenes.co.nz, was a theatre critic for Metro Magazine and won the People's Choice Award for Best Critic at the 2015 Auckland Theatre Awards. His writing has been published in the Journal of New Zealand Literature, The Pantograph Punch and Playmarket Annual.
Inhaltsangabe
List of illustrations Acknowledgements Introduction Chapter 1: National Travels in an International World: Overseas Performances 1940-1990 Chapter 2: A Kiwi Hedda Gabler: Downstage on the Festival Stage Chapter 3: Performing Mana: Taking M¿ori Theatre to the Globe Chapter 4: Skin Tight's World Flight: The Production of New Zealand Plays by International Companies Chapter 5: Beyond Biculturalism: Touring Pasifika and Transnational Theatre Chapter 6: Exporting Culture: Indian Ink Theatre Company Chapter 7: Selling the Nation at the Edinburgh Festival Fringe Chapter 8: Making Meaning: Responses to Aotearoa New Zealand at the Edinburgh Festival Fringe 2019 Chapter 9: Cultural Apocalypse: The Generation of Z: Apocalypse in London Conclusion: Departure, Arrival, Return Appendix: Aotearoa New Zealand Theatre Productions Performed Overseas
List of illustrations Acknowledgements Introduction Chapter 1: National Travels in an International World: Overseas Performances 1940-1990 Chapter 2: A Kiwi Hedda Gabler: Downstage on the Festival Stage Chapter 3: Performing Mana: Taking M¿ori Theatre to the Globe Chapter 4: Skin Tight's World Flight: The Production of New Zealand Plays by International Companies Chapter 5: Beyond Biculturalism: Touring Pasifika and Transnational Theatre Chapter 6: Exporting Culture: Indian Ink Theatre Company Chapter 7: Selling the Nation at the Edinburgh Festival Fringe Chapter 8: Making Meaning: Responses to Aotearoa New Zealand at the Edinburgh Festival Fringe 2019 Chapter 9: Cultural Apocalypse: The Generation of Z: Apocalypse in London Conclusion: Departure, Arrival, Return Appendix: Aotearoa New Zealand Theatre Productions Performed Overseas
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