Stone effects a return to gender in Shakespeare studies through a feminist psychoanalytic look at those of the Bard's tragedies and comedies that include elements of gender crossing or cross-dressing. Through close, linguistic readings of plays including Othello, Hamlet, Richard II, Antony and Cleopatra, Twelfth Night, and Cymbeline, Stone offers a sophisticated critique of gender and difference as depicted in Renaissance and Shakespearean texts.
Stone effects a return to gender in Shakespeare studies through a feminist psychoanalytic look at those of the Bard's tragedies and comedies that include elements of gender crossing or cross-dressing. Through close, linguistic readings of plays including Othello, Hamlet, Richard II, Antony and Cleopatra, Twelfth Night, and Cymbeline, Stone offers a sophisticated critique of gender and difference as depicted in Renaissance and Shakespearean texts.
James W. Stone is a visiting fellow in the Department of English Language and Literature at the National University of Singapore.
Inhaltsangabe
Preface Acknowledgments Introduction 1: The Transvestic Glove-Text of Twelfth Night 2: The Sound of "Un" in Richard II 3: Androgynous "Union" and the Woman in Hamlet 4: Impotence and the Feminine in Othello 5: Martial Cleopatra and the Remasculation of Antony 6: The Woman Within in Cymbeline Epilogue: The Tain of the Mirror Notes Bibliography Index
Preface Acknowledgments Introduction 1: The Transvestic Glove-Text of Twelfth Night 2: The Sound of "Un" in Richard II 3: Androgynous "Union" and the Woman in Hamlet 4: Impotence and the Feminine in Othello 5: Martial Cleopatra and the Remasculation of Antony 6: The Woman Within in Cymbeline Epilogue: The Tain of the Mirror Notes Bibliography Index
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