Alashka - Tarn, Nathaniel; Rodney, Janet
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Alashka is a lost book. It was first published as half of a very large, well-printed volume in 1979, spliced together with Tarn's Selected Poems up until that point. The publisher was a new outfit in Boulder, Colorado, called Brillig Works and born in an eponymous bookstore. Distribution was limited, and fitful, and copies were notoriously hard to come by. This ensured that what was, in effect, Janet Rodney's first collection, vanished from view. Also, although it was a valuable expansion of Tarn's anthro- and eco-poetics, this hardly registered in the wider worrld, whether in Alaska or in the…mehr

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Produktbeschreibung
Alashka is a lost book. It was first published as half of a very large, well-printed volume in 1979, spliced together with Tarn's Selected Poems up until that point. The publisher was a new outfit in Boulder, Colorado, called Brillig Works and born in an eponymous bookstore. Distribution was limited, and fitful, and copies were notoriously hard to come by. This ensured that what was, in effect, Janet Rodney's first collection, vanished from view. Also, although it was a valuable expansion of Tarn's anthro- and eco-poetics, this hardly registered in the wider worrld, whether in Alaska or in the lower states. The book finally gets its own set of covers here, and a chance to find its own niche, and will soon be joined by some other long out-of-print Tarn volumes. Although some 40 years old, this book has scarcely aged, and its themes are as apposite today as they were in the 1970s.
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Autorenporträt
Franco-Anglo-American poet Nathaniel Tarn was born in 1928 and educated in France, Belgium and England, obtaining degrees from Cambridge, the Sorbonne and Chicago; he emigrated to the United States in 1970, where he taught at American universities until his retirement. He now lives just outside Santa Fe, New Mexico. Although he is perhaps best-known these days as a poet and essayist, he is also an anthropologist, with a particular interest in Highland Maya studies and the sociology of Buddhist institutions, and is also a translator of the highest order (see above all his versions of Neruda's The Heights of Macchu Picchu and Victor Segalen's Stelae). His first collection of poetry was Old Savage/Young City (London: Cape, 1964), which was followed the next year by his appearance in the seventh volume of the Penguin Modern Poets series. Three more collections followed in London, during which time he also became editor of Cape Goliard and founder-editor of the remarkable Cape Editions series of seminal modern texts: poetry, prose, anthropology, drama, many of them in pioneering translations. After he emigrated, only two more collections (the important volume "A Nowhere for Vallejo" and the ambitious book-length poem "Lyrics for the Bride of God") were to appear in the UK. Thereafter, with the exception of his Shearsman publications and one other volume, all of his work has appeared in the USA, most significantly: "The House of Leaves", "Atitlán/Alashka" (with Janet Rodney), "At the Western Gates", "Selected Poems 1950-2000", "Ins and Outs of the Forest Rivers" and the recent "Gondwana". There is also a significant volume of essays in "Views from the Weaving Mountain". Tarn's work is remarkable for expansiveness and its willingness to absorb material from very disparate sources-in this, it owes something to the examples of Pound and Olson, but also a lot to the author's own anthropological training, his knowledge of other languages and his interests in areas such as archaeology.