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It is human nature to want to fit in. The lengths people have gone to do so have provided creative minds with material for centuries. This book explores the consequences of being marked an outsider in the Russian-speaking world through a close study of several seminal works of Russian literature. The author combines the fields of literary studies, linguistics, and sociology to illuminate what prompted Christof Ruhl, an economist at the World Bank, to comment, about Russia, "On a very broad scale, it's a country where people care about their family and friends. Their clan. But not their society."…mehr
It is human nature to want to fit in. The lengths people have gone to do so have provided creative minds with material for centuries. This book explores the consequences of being marked an outsider in the Russian-speaking world through a close study of several seminal works of Russian literature. The author combines the fields of literary studies, linguistics, and sociology to illuminate what prompted Christof Ruhl, an economist at the World Bank, to comment, about Russia, "On a very broad scale, it's a country where people care about their family and friends. Their clan. But not their society."
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Jason Galie is a Russian language analyst at Booz Allen Hamilton and has taught Russian at Columbia University, Middlebury College, the Defense Language Institute, and The George Washington. He lives in Washington, DC.
Inhaltsangabe
Acknowledgements Note on Transliteration Introduction: Fitting in Russian Style 1. The Crux of the Svoj/Chuzhoj Opposition 2. Making Svoj/Chuzhoj Divisive in Alexander Griboedov s Woe from Wit 3. Woe from Wit as Social Gospel 4. The Demons are Social Demons The Setting The Plot The Audience and the Stage The Opposition Verkhovensky A Stranger s Sins The First Argument The Second Argument The Duel At Our People s The Murder of Shatov In Place of a Conclusion Bibliography Primary Sources Secondary Sources
Acknowledgements Note on Transliteration Introduction: Fitting in Russian Style 1. The Crux of the Svoj/Chuzhoj Opposition 2. Making Svoj/Chuzhoj Divisive in Alexander Griboedov s Woe from Wit 3. Woe from Wit as Social Gospel 4. The Demons are Social Demons The Setting The Plot The Audience and the Stage The Opposition Verkhovensky A Stranger s Sins The First Argument The Second Argument The Duel At Our People s The Murder of Shatov In Place of a Conclusion Bibliography Primary Sources Secondary Sources
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