Jeanice Brooks is Professor of Music at the University of Southampton. She has published extensively on French music and culture of the Renaissance and on domestic music-making in Britain around 1800, as well as on French musical culture between the wars. Her book on the strophic air de cour and court culture, Courtly Song in Late Sixteenth-Century France (2000) received the 2001 Roland H. Bainton prize for the best book of the year in music or art history.
Inhaltsangabe
Introduction: the works that stand for the time Part I. The Work in Performance: 1. Nadia Boulanger between the wars 2. Nadia Boulanger's musical work 3. Performing the work Part II. The Work in History: 4. The problem of concerts 5. New links between them 6. Tomb or treasure 7. The art of assembling art Conclusion.
Introduction: the works that stand for the time Part I. The Work in Performance: 1. Nadia Boulanger between the wars 2. Nadia Boulanger's musical work 3. Performing the work Part II. The Work in History: 4. The problem of concerts 5. New links between them 6. Tomb or treasure 7. The art of assembling art Conclusion.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309