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The transition from the valveless natural horn to the modern valved horn in 19th-century Paris was different from similar transitions in other countries. While valve technology was received happily by players of other members of the brass family, strong support for the natural horn, with its varied color palette and virtuoso performance traditions, slowed the reception and application of the valve to the horn.
Using primary sources including Conservatoire method books, accounts of performances and technological advances, and other evidence, this book tells the story of the transition from
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Produktbeschreibung
The transition from the valveless natural horn to the modern valved horn in 19th-century Paris was different from similar transitions in other countries. While valve technology was received happily by players of other members of the brass family, strong support for the natural horn, with its varied color palette and virtuoso performance traditions, slowed the reception and application of the valve to the horn.

Using primary sources including Conservatoire method books, accounts of performances and technological advances, and other evidence, this book tells the story of the transition from natural horn to valved horn at the Conservatoire, from 1792 to 1903, including close examination of horn teaching before the arrival of valved brass in Paris, the initial reception and application of this technology to the horn, the persistence of the natural horn, and the progression of acceptance, use, controversies, and eventual adoption of the valved instrument in the Parisian community and at the Conservatoire.

Active scholars, performers, and students interested in the horn, 19th-century brass instruments, teaching methods associated with the Conservatoire, and the intersection of technology and performing practice will find this book useful in its details and conclusions, including ramifications on historically-informed performance today.
Autorenporträt
Dr Jeffrey Snedeker has taught in the Music Department of Central Washington University in Ellensburg, Washington, since 1991. Jeff is active in several national and international organizations, serving on the Board of Directors of the Historic Brass Society, the Washington Music Educators Association Advisory Board (elected to two terms as Higher Education Curriculum Officer), and the Advisory Council of the International Horn Society. Jeff currently serves as Principal Horn with the Yakima Symphony. Jeff has published over 50 articles on a variety of musical topics in scholarly and popular journals, including seven entries in the second edition of The New Grove Dictionary.
Rezensionen
'The book is very well researched, very well written and will be a substantial contribution to the history of the horn. In structure and scope, this book goes deeper into the history of the horn in France in the nineteenth century than anything written previously. Highly recommended.'

Professor Richard Seraphinoff, IU Jacobs School of Music, USA