Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. This is the first study dedicated to analyzing the queen's portraits. It engages feminist theory while setting the queen's image in the context of portraiture in France, courtly factional conflict, and the history of the French monarchy. While histori
Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. This is the first study dedicated to analyzing the queen's portraits. It engages feminist theory while setting the queen's image in the context of portraiture in France, courtly factional conflict, and the history of the French monarchy. While histori
Jennifer G. Germann is Assistant Professor in the Department of Art History at Ithaca College, USA.
Inhaltsangabe
Contents: Introduction Framing queenship in France Incorporating Marie Leszczinska Sons and mothers Gendering the French monarchy The Queen's new image Epilogue: memorializing Marie Leszczinska Bibliography Index.
Contents: Introduction Framing queenship in France Incorporating Marie Leszczinska Sons and mothers Gendering the French monarchy The Queen's new image Epilogue: memorializing Marie Leszczinska Bibliography Index.
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