Andere Kunden interessierten sich auch für
![Anthology for Music in the Nineteenth Century]( "Anthology for Music in the Nineteenth Century")
Anthology for Music in the Nineteenth Century62,99 €![Music in the Nineteenth Century]( "Music in the Nineteenth Century")
Music in the Nineteenth Century63,99 €![Orchestral Performance Practices in the Nineteenth Century: Size, Proportions, and Seating]( "Orchestral Performance Practices in the Nineteenth Century: Size, Proportions, and Seating")
Orchestral Performance Practices in the Nineteenth Century: Size, Proportions, and Seating52,99 €![The Musical Life of Nineteenth-Century Belfast]( "The Musical Life of Nineteenth-Century Belfast")
The Musical Life of Nineteenth-Century Belfast64,99 €![Music Criticism in Nineteenth-Century France]( "Music Criticism in Nineteenth-Century France")
Music Criticism in Nineteenth-Century France51,99 €![Ludwig Van Beethoven - Lied Aus Der Ferne - Woo137 - A Score for Voice and Piano]( "Ludwig Van Beethoven - Lied Aus Der Ferne - Woo137 - A Score for Voice and Piano")
Ludwig Van Beethoven - Lied Aus Der Ferne - Woo137 - A Score for Voice and Piano16,99 €![Nineteenth-Century Chamber Music]( "Nineteenth-Century Chamber Music")
Nineteenth-Century Chamber Music80,99 €
The German lied, or art song, is considered one of the most intimate of all musical genres--often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during the inherent publicness of its performance.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.