Integrating Critical and Contextual Studies in Art and Design Education examines the relationship between two aspects of art education that appear at times inseparable and indistinguishable, and at others isolated and in conflict: Critical and Contextual Studies and studio practice. It scrutinizes the post-compulsory art and design curriculum, analysing the identity and practices of CCS, and explores how education professionals can integrate CCS for successful teaching, learning and practice.
Integrating Critical and Contextual Studies in Art and Design Education examines the relationship between two aspects of art education that appear at times inseparable and indistinguishable, and at others isolated and in conflict: Critical and Contextual Studies and studio practice. It scrutinizes the post-compulsory art and design curriculum, analysing the identity and practices of CCS, and explores how education professionals can integrate CCS for successful teaching, learning and practice.
Jenny Rintoul is a senior lecturer in Visual Culture at the Faculty of Arts, Creative Industries and Education, University of the West of England, UK. She has previously worked as a dancer, a gallery educator and a Further Education (FE) teacher of Art and Design and History of Art. She has taught Critical and Contextual Studies across a range of FE and Higher Education (HE) programmes within Performing Arts, Musical Theatre and Art and Design.
Inhaltsangabe
1. CCS in a changing landscape: What is CCS, where has it come from and why be concerned about it in an art and design curriculum? 2. Theory/Practice: tales of turbulence 3. The meaning of, and possibilities for, integration 4. Case study examples: Introducing elements of the research process 5. Locating theory: the lecture theatre and the studio 6. Types of `Theory¿ and Points of Tension: issues of form and content 7. Subject and staff identities and cultures 8. Approaches to integrating CCS: Where does integration reside? 9. Concluding considerations and recommendations
1. CCS in a changing landscape: What is CCS, where has it come from and why be concerned about it in an art and design curriculum? 2. Theory/Practice: tales of turbulence 3. The meaning of, and possibilities for, integration 4. Case study examples: Introducing elements of the research process 5. Locating theory: the lecture theatre and the studio 6. Types of `Theory¿ and Points of Tension: issues of form and content 7. Subject and staff identities and cultures 8. Approaches to integrating CCS: Where does integration reside? 9. Concluding considerations and recommendations
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