This book explores the way people participate with the Oslo Opera house, Norway. As an iconic and culture-led building, these participations reveal the tensions between staged space and individual experience.
This book explores the way people participate with the Oslo Opera house, Norway. As an iconic and culture-led building, these participations reveal the tensions between staged space and individual experience.
Jeremy Hektor Payne-Frank holds a PhD from the Department of People and Technology at Roskilde University. His research explores urban experience in relation to architecture, art, and design through experimental ethnographic methods.
Inhaltsangabe
Chapter 1. Introduction: The Oslo Opera House A social monument Tourists and locals An atmospheric lens The Nordic invitation to participate Immaterial architecture Chapter 2. Adopting an atmospheric lens Atmospheric perspectives: Böhme, Rancière, and Sloterdijk Thinking about atmospheres Building experience: architecture and atmosphere Coercive atmosphere Research atmosphere: methods and tools Withdrawing from atmosphere: taking photography seriously Pinholes and fuzzy Chapter 3. Transformative participation The road to Bjørvika The Fjord City Bjørvika and beyond Snøhetta A Nolli map Competition entry 04321 The art A stone saga Rethinking participation: Arnstein's ladder Chapter 4. Material participation From the city to the roof Marble: surfaces of the white carpet Whiteness Marble's social and synaesthetic character Whiteness and a cleansing of the eye Whiteness and blur Designing ambiguity: the palace, whiteness, and a Norwegian sensibility to nature Chapter 5. Movement participation Architecture of the oblique Dwelling, tripping, inhabiting Life in the Norwegian open air Resonance, dissonance, and a good-natured elitism Chapter 6. Light participation Nordic light, Nordic architecture: from the roof to the foyer Daylight in the OOH Artificial light Transitions: liquid light From bubbles to foam Chapter 7. Art participation First encounter with the The other wall Democratic surfaces Democratic surrounds: The wall as weather machine Creative kitchens: process as art The wall through social media Selfies and mirror selfies The wall, dissensus, and a partitioning of the sensible Chapter 8 Conclusion: Exiting the social monument Bibliography
Chapter 1. Introduction: The Oslo Opera House A social monument Tourists and locals An atmospheric lens The Nordic invitation to participate Immaterial architecture Chapter 2. Adopting an atmospheric lens Atmospheric perspectives: Böhme, Rancière, and Sloterdijk Thinking about atmospheres Building experience: architecture and atmosphere Coercive atmosphere Research atmosphere: methods and tools Withdrawing from atmosphere: taking photography seriously Pinholes and fuzzy Chapter 3. Transformative participation The road to Bjørvika The Fjord City Bjørvika and beyond Snøhetta A Nolli map Competition entry 04321 The art A stone saga Rethinking participation: Arnstein's ladder Chapter 4. Material participation From the city to the roof Marble: surfaces of the white carpet Whiteness Marble's social and synaesthetic character Whiteness and a cleansing of the eye Whiteness and blur Designing ambiguity: the palace, whiteness, and a Norwegian sensibility to nature Chapter 5. Movement participation Architecture of the oblique Dwelling, tripping, inhabiting Life in the Norwegian open air Resonance, dissonance, and a good-natured elitism Chapter 6. Light participation Nordic light, Nordic architecture: from the roof to the foyer Daylight in the OOH Artificial light Transitions: liquid light From bubbles to foam Chapter 7. Art participation First encounter with the The other wall Democratic surfaces Democratic surrounds: The wall as weather machine Creative kitchens: process as art The wall through social media Selfies and mirror selfies The wall, dissensus, and a partitioning of the sensible Chapter 8 Conclusion: Exiting the social monument Bibliography
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