This book covers everything you need to know to understand and createdry glazes. There is not much information available on dry glazes apartfrom small sections in larger books. This book looks at the simpleoptions such as slips and engobes, as well as many more complex glazes, and includes making your own dryglazes.
This book covers everything you need to know to understand and createdry glazes. There is not much information available on dry glazes apartfrom small sections in larger books. This book looks at the simpleoptions such as slips and engobes, as well as many more complex glazes, and includes making your own dryglazes.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jeremy Jernegan is an Associate Professor of Art at Tulane University, USA. He has taught and lectured in art colleges and Tulane University since 1987. His work has appeared in many ceramic journals, both in the UK, USA and Australia, and he has written many articles.
Inhaltsangabe
Acknowledgements Introduction 1. What makes a dry glaze dry? 2. Health and safety 3. Developing the surface and visual texture 4. Slips and engobes 5. Alkaline glazes: rich in sodium, potassium and lithium 6. Boron, lead and zinc matts 7. Calcium and magnesium matts 8. Barium and strontium matts 9. Special effects glazes 10. Colouring oxides and raku-fired matts References Bibliography Glossary List of suppliers Index
Acknowledgements Introduction 1. What makes a dry glaze dry? 2. Health and safety 3. Developing the surface and visual texture 4. Slips and engobes 5. Alkaline glazes: rich in sodium, potassium and lithium 6. Boron, lead and zinc matts 7. Calcium and magnesium matts 8. Barium and strontium matts 9. Special effects glazes 10. Colouring oxides and raku-fired matts References Bibliography Glossary List of suppliers Index
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