Jill Carrick's Nouveau Réalisme, 1960s France, and the Neo-avantgarde provides the first in-depth historical analysis of the "New Realism" movement and the critical and theoretical debates it engaged. This text makes available a new corpus of material -- the rich historical and theoretical analysis as well as the fascinating photographic documentation of artists and works -- from one of the most significant French art movements of the post-World War II period.
Jill Carrick's Nouveau Réalisme, 1960s France, and the Neo-avantgarde provides the first in-depth historical analysis of the "New Realism" movement and the critical and theoretical debates it engaged. This text makes available a new corpus of material -- the rich historical and theoretical analysis as well as the fascinating photographic documentation of artists and works -- from one of the most significant French art movements of the post-World War II period.
Jill Carrick teaches art history and cultural theory at Carleton University, Canada, in the department of Art History and the Institute for Comparative Studies in Literature, Art and Culture. Her research interests include collaborative art and interdisciplinary theory.
Inhaltsangabe
Contents: Introduction: topographies of chance and return The nouveau réaliste object: Restany's theories of appropriation Avant-garde or néo? Restaging commodity spectacle Phallic victories? Nouveau réaliste performance Archaeologies of the present Afterword Bibliography Index.
Contents: Introduction: topographies of chance and return The nouveau réaliste object: Restany's theories of appropriation Avant-garde or néo? Restaging commodity spectacle Phallic victories? Nouveau réaliste performance Archaeologies of the present Afterword Bibliography Index.
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