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This book explores the multi-movement Leipzig chamber works composed by Robert Schumann (1810-56). It adopts a two-pronged approach. On the one hand, it shows how this repertory illuminates Schumann's response to certain past and contemporary composers; to his own youthful, experimental past; and to various literary and cultural influences. At the same time, the book explores how different people have heard this music: listeners in Schumann's own day and beyond, in both Germanic and non-Germanic regions, and comprising the voices of critics, performers, audiences, even figures in disciplines outside of music.…mehr

Produktbeschreibung
This book explores the multi-movement Leipzig chamber works composed by Robert Schumann (1810-56). It adopts a two-pronged approach. On the one hand, it shows how this repertory illuminates Schumann's response to certain past and contemporary composers; to his own youthful, experimental past; and to various literary and cultural influences. At the same time, the book explores how different people have heard this music: listeners in Schumann's own day and beyond, in both Germanic and non-Germanic regions, and comprising the voices of critics, performers, audiences, even figures in disciplines outside of music.
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Autorenporträt
Julie Hedges Brown studies the lives and music of Robert and Clara Schumann from critical, contextual, and analytical perspectives. She has presented her work at numerous national and international conferences and published in a variety of journals and book collections. After receiving her PhD from Yale University, she taught at Tufts University, Case Western Reserve University, and Oberlin Conservatory. Currently she is Professor of Musicology at Northern Arizona University, where she has won awards for her teaching.