Jurgen Thym
Mendelssohn, the Organ, and the Music of the Past
Constructing Historical Legacies
Herausgeber: Thym, Jürgen
Jurgen Thym
Mendelssohn, the Organ, and the Music of the Past
Constructing Historical Legacies
Herausgeber: Thym, Jürgen
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Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death.
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Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death.
Produktdetails
- Produktdetails
- Eastman Studies in Music
- Verlag: Boydell & Brewer Ltd
- Seitenzahl: 350
- Erscheinungstermin: 10. Dezember 2014
- Englisch
- Abmessung: 236mm x 156mm x 30mm
- Gewicht: 720g
- ISBN-13: 9781580464741
- ISBN-10: 1580464742
- Artikelnr.: 40586190
- Eastman Studies in Music
- Verlag: Boydell & Brewer Ltd
- Seitenzahl: 350
- Erscheinungstermin: 10. Dezember 2014
- Englisch
- Abmessung: 236mm x 156mm x 30mm
- Gewicht: 720g
- ISBN-13: 9781580464741
- ISBN-10: 1580464742
- Artikelnr.: 40586190
Jürgen Thym
Introduction: Of Statues and Monuments Mendelssohn and the Contrapuntal
Tradition Mendelssohn and the Catholic Tradition: Roman Influences on His
Kirchen-Musik, Op. 23 and Drei Motetten, Op. 39 Mendelssohn and the Legacy
of Beethoven's Ninth: Vocality in the "Reformation" Symphony Mendelssohn
and the Organ Some Observations on Mendelssohn's Bach Recital "He Ought to
Have a Statue" : Mendelssohn, Gauntlett, and the English Organ Reform
Mendelssohn's Sonatas, Op. 65, and the Craighead-Saunders Organ at the
Eastman School of Music: Aspects of Performance Practice and Context The
Bach Tradition among the Mendelssohn Ancestry Music History as Sermon:
Style, Form, and Narrative in Mendelssohn's "Dürer" Cantata (1828)
Mendelssohn's "Authentic" Handel in Context: German Approaches to
Translation and Art and Architectural Restoration in the Early Nineteenth
Century Beyond the Ethical and Aesthetic: On Reconciling Religious Art with
Secular Art-Religion in Mendelssohn's "Lobgesang" Mendelssohn's Religious
Worlds: Currents and Crosscurrents of Protestantism in Nineteenth-Century
Germany and Great Britain List of Contributors Index
Tradition Mendelssohn and the Catholic Tradition: Roman Influences on His
Kirchen-Musik, Op. 23 and Drei Motetten, Op. 39 Mendelssohn and the Legacy
of Beethoven's Ninth: Vocality in the "Reformation" Symphony Mendelssohn
and the Organ Some Observations on Mendelssohn's Bach Recital "He Ought to
Have a Statue" : Mendelssohn, Gauntlett, and the English Organ Reform
Mendelssohn's Sonatas, Op. 65, and the Craighead-Saunders Organ at the
Eastman School of Music: Aspects of Performance Practice and Context The
Bach Tradition among the Mendelssohn Ancestry Music History as Sermon:
Style, Form, and Narrative in Mendelssohn's "Dürer" Cantata (1828)
Mendelssohn's "Authentic" Handel in Context: German Approaches to
Translation and Art and Architectural Restoration in the Early Nineteenth
Century Beyond the Ethical and Aesthetic: On Reconciling Religious Art with
Secular Art-Religion in Mendelssohn's "Lobgesang" Mendelssohn's Religious
Worlds: Currents and Crosscurrents of Protestantism in Nineteenth-Century
Germany and Great Britain List of Contributors Index
Introduction: Of Statues and Monuments Mendelssohn and the Contrapuntal
Tradition Mendelssohn and the Catholic Tradition: Roman Influences on His
Kirchen-Musik, Op. 23 and Drei Motetten, Op. 39 Mendelssohn and the Legacy
of Beethoven's Ninth: Vocality in the "Reformation" Symphony Mendelssohn
and the Organ Some Observations on Mendelssohn's Bach Recital "He Ought to
Have a Statue" : Mendelssohn, Gauntlett, and the English Organ Reform
Mendelssohn's Sonatas, Op. 65, and the Craighead-Saunders Organ at the
Eastman School of Music: Aspects of Performance Practice and Context The
Bach Tradition among the Mendelssohn Ancestry Music History as Sermon:
Style, Form, and Narrative in Mendelssohn's "Dürer" Cantata (1828)
Mendelssohn's "Authentic" Handel in Context: German Approaches to
Translation and Art and Architectural Restoration in the Early Nineteenth
Century Beyond the Ethical and Aesthetic: On Reconciling Religious Art with
Secular Art-Religion in Mendelssohn's "Lobgesang" Mendelssohn's Religious
Worlds: Currents and Crosscurrents of Protestantism in Nineteenth-Century
Germany and Great Britain List of Contributors Index
Tradition Mendelssohn and the Catholic Tradition: Roman Influences on His
Kirchen-Musik, Op. 23 and Drei Motetten, Op. 39 Mendelssohn and the Legacy
of Beethoven's Ninth: Vocality in the "Reformation" Symphony Mendelssohn
and the Organ Some Observations on Mendelssohn's Bach Recital "He Ought to
Have a Statue" : Mendelssohn, Gauntlett, and the English Organ Reform
Mendelssohn's Sonatas, Op. 65, and the Craighead-Saunders Organ at the
Eastman School of Music: Aspects of Performance Practice and Context The
Bach Tradition among the Mendelssohn Ancestry Music History as Sermon:
Style, Form, and Narrative in Mendelssohn's "Dürer" Cantata (1828)
Mendelssohn's "Authentic" Handel in Context: German Approaches to
Translation and Art and Architectural Restoration in the Early Nineteenth
Century Beyond the Ethical and Aesthetic: On Reconciling Religious Art with
Secular Art-Religion in Mendelssohn's "Lobgesang" Mendelssohn's Religious
Worlds: Currents and Crosscurrents of Protestantism in Nineteenth-Century
Germany and Great Britain List of Contributors Index