This title explores the phenomenon of the satirical election campaign, aiming to offer an entertaining, enlightening and informative read for students working across a variety of disciplines.
This title explores the phenomenon of the satirical election campaign, aiming to offer an entertaining, enlightening and informative read for students working across a variety of disciplines.
L.M. Bogad is Professor of political performance at the University of California at Davis. He is the author of Tactical Performance:The theory and practice of serious play, and the plays Haymarket, Tahrir, COINTELSHOW: A patriot act, and Economusic: Keeping score. He is the founding director of the Center for Tactical Performance.
Inhaltsangabe
Introduction: Electoral guerrilla theatre in recent democracies: Speaking mirth to power 1. A prank too far? The Kabouters' electoral guerrilla theatre, Amsterdam 1970-71 2. Sturm und Drag: the fabulous camp-pains of Miss Joan JettBlakk 3. Electoral guerrilla theatre in Australia: Pauline Hanson vs. Pauline Pantsdown 4. EARTHALUJAH!: The Importance of Being Earnest With the Church of Life After Shopping Conclusion: A tricky new play
Introduction: Electoral guerrilla theatre in recent democracies: Speaking mirth to power 1. A prank too far? The Kabouters' electoral guerrilla theatre, Amsterdam 1970-71 2. Sturm und Drag: the fabulous camp-pains of Miss Joan JettBlakk 3. Electoral guerrilla theatre in Australia: Pauline Hanson vs. Pauline Pantsdown 4. EARTHALUJAH!: The Importance of Being Earnest With the Church of Life After Shopping Conclusion: A tricky new play
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