Casting new light on the relationship between photography and film, Still Modernism articulates the struggle between the still and the kinetic at the center of modernist culture.
Casting new light on the relationship between photography and film, Still Modernism articulates the struggle between the still and the kinetic at the center of modernist culture.
Louise Hornby is Associate Professor of English at University of California, Los Angeles.
Inhaltsangabe
Acknowledgments Introduction Chapter 1: Resisting Arrest: Imagining Motion in Film and Photography Chapter 2: Stilling the Subject: From Composite to Close-Up Chapter 3: The Instant and the Series: The Pace of Stillness in Muybridge, Joyce, and Chaplin Chapter 4: Still There: Virginia Woolf's Theory of Photography Conclusion Bibliography Index
Acknowledgments Introduction Chapter 1: Resisting Arrest: Imagining Motion in Film and Photography Chapter 2: Stilling the Subject: From Composite to Close-Up Chapter 3: The Instant and the Series: The Pace of Stillness in Muybridge, Joyce, and Chaplin Chapter 4: Still There: Virginia Woolf's Theory of Photography Conclusion Bibliography Index
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