This bookexamines the censure of working-class women's leisure activities in public spaces as a condemnation of female identity and agency in nineteenth- and twentieth-century literature. It explores these activities as first steps toward a unified labor movement.
This bookexamines the censure of working-class women's leisure activities in public spaces as a condemnation of female identity and agency in nineteenth- and twentieth-century literature. It explores these activities as first steps toward a unified labor movement.
Produktdetails
Produktdetails
Innovation and Activism in American Women's Writing
Acknowledgments Introduction Chapter 1: The Lowell Experiment: Finery, Chastity, and an Emerging Working-class Culture Chapter 2: Maud Matchin: A Working-Class American Beauty in John Hay's The Breadwinners (1896) Chapter 3: Strikers at the Ball: Radical Romances of the Great Shirtwaist Strike, Diary of a Shirtwaist Striker (1909) and Comrade Yetta (1913) Chapter 4: Romance on the Picket Line: Mary Heaton Vorse's Strike! (1930) and Dorothy Myra Page's Gathering Storm (1932) Chapter 5: Violence and Female Sexuality in Sherwood Anderson's Beyond Desire (1932) and William Rollins's The Shadow Before (1934) Chapter 6: Romance as Redemption in Olive Tilford Dargan's Call Home the Heart (1932), Stone Came Rolling (1935) and Grace Lumpkin's To Make My Bread (1932) Conclusion Works Cited
Acknowledgments Introduction Chapter 1: The Lowell Experiment: Finery, Chastity, and an Emerging Working-class Culture Chapter 2: Maud Matchin: A Working-Class American Beauty in John Hay's The Breadwinners (1896) Chapter 3: Strikers at the Ball: Radical Romances of the Great Shirtwaist Strike, Diary of a Shirtwaist Striker (1909) and Comrade Yetta (1913) Chapter 4: Romance on the Picket Line: Mary Heaton Vorse's Strike! (1930) and Dorothy Myra Page's Gathering Storm (1932) Chapter 5: Violence and Female Sexuality in Sherwood Anderson's Beyond Desire (1932) and William Rollins's The Shadow Before (1934) Chapter 6: Romance as Redemption in Olive Tilford Dargan's Call Home the Heart (1932), Stone Came Rolling (1935) and Grace Lumpkin's To Make My Bread (1932) Conclusion Works Cited
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