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  • Format: ePub

Decades after her brutal attack by the notorious serial killer, an artist tells her story of survival and recovery in this uplifting memoir. Mo Lea was a young art student in Leeds when her life was changed forever by a deadly assault. On October 25th, 1980, serial killer Peter Sutcliffe attacked her with a hammer and stabbed her with a screwdriver. Surviving with a fractured skull and PTSD, Mo spent years wrestling with a morbid narrative that cast her as a victim. Now Mo offers a fresh perspective on her life, sharing valuable insight into her successful recovery process. While art had…mehr

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Produktbeschreibung
Decades after her brutal attack by the notorious serial killer, an artist tells her story of survival and recovery in this uplifting memoir. Mo Lea was a young art student in Leeds when her life was changed forever by a deadly assault. On October 25th, 1980, serial killer Peter Sutcliffe attacked her with a hammer and stabbed her with a screwdriver. Surviving with a fractured skull and PTSD, Mo spent years wrestling with a morbid narrative that cast her as a victim. Now Mo offers a fresh perspective on her life, sharing valuable insight into her successful recovery process. While art had always been important to her, it became a vital outlet for exploring her pain, her anger, and her ultimate triumph over them. Drawing a meticulous portrait of Sutcliffe, she then found catharsis in tearing it to bits-ripping up the Ripper. In candid words and stirring illustrations, Mo reclaims her own story, telling of her journey from tragic despair to calmness and acceptance.

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Autorenporträt
Mo Lea is from a working class background in Liverpool. Despite having been attacked by the Yorkshire Ripper she has had a successful career teaching in a range of institutions over the years ranging from Probation services, Junior, Secondary and Further and Higher Education at Masters level in the UK, USA, Malaysia, and in the South Pacific. Mo is a practicing artist and throughout her teaching, she has exhibited new bodies of work every few years in the cities where she's lived including London, Los Angeles and New York. In her younger years she used drawing to express conditions of memory and trauma, finding the creative process both healing and calming.