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Presents the thinking about the processes that underlie creativity and aesthetic experience. This book discusses established theory and research and provides creative speculation on problems for inquiry and fresh approaches to conceptualising and investigating these phenomena.
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Presents the thinking about the processes that underlie creativity and aesthetic experience. This book discusses established theory and research and provides creative speculation on problems for inquiry and fresh approaches to conceptualising and investigating these phenomena.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 288
- Erscheinungstermin: 30. September 2020
- Englisch
- Abmessung: 234mm x 156mm x 15mm
- Gewicht: 408g
- ISBN-13: 9780415784610
- ISBN-10: 0415784611
- Artikelnr.: 55002319
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 288
- Erscheinungstermin: 30. September 2020
- Englisch
- Abmessung: 234mm x 156mm x 15mm
- Gewicht: 408g
- ISBN-13: 9780415784610
- ISBN-10: 0415784611
- Artikelnr.: 55002319
Paul Locher was Professor Emeritus of Psychology at Montclair State University.
Preface
PART I VISUAL AESTHETICS
CHAPTER 1 Perception and Moving Pictures: From Brunelleschi and Berkeley to
Video and Video Games
Julian Hochberg and Virginia Brooks
CHAPTER 2 Experimental Scrutiny of the Role of Balance in the Visual Arts
Paul Locher
CHAPTER 3 The Mere Exposure Effect and Aesthetic Preference
James E. Cutting
CHAPTER 4 The Nature and Growth of Aesthetic Fluency
Lisa F. Smith and Jeffrey K. Smith
CHAPTER 5 Aesthetic Universals in Cultural Perception and Practice
Dorothy Washburn
PART II NEW DIRECTIONS IN CREATIVITY
CHAPTER 6 Stalking the Elusive Creativity Quark? Toward a Comprehensive
Theory of Creativity
Robert J. Sternberg
CHAPTER 7 A Metaindividual Model of Creativity
Leonid Dorfman
CHAPTER 8 Cinematic Creativity and Aesthetics: Empirical Analyses of Movie
Awards
Dean Keith Simonton
CHAPTER 9 Creativity and Design: What the Established Teaches Us
Kees Overbeeke and Jodi Forlizzi
PART III ART AND COGNITION
CHAPTER 10 Emergence, Anticipation, and Schematization Processes in
Listening to a Piece of Music: A Re-Reading of the Cue Abstraction Model
Irene Deliège
CHAPTER 11 Experimental Approaches to Reader Responses to Literature
David S. Miall
CHAPTER 12 Studio Thinking: How Visual Arts Teaching Can Promote
Disciplined Habits of Mind
Ellen Winner, Lois Hetland, Shirley Veenema, Kim Sheridan, and Patricia
Palmer
PART IV ART, AFFECT, AND PERSONALITY
CHAPTER 13 Emotion in Aesthetics and the Aesthetics of Emotion
Gerland C. Cupchik
CHAPTER 14 Personality and Artistic Style: Patterns of Connection
Pavel Machotka
CHAPTER 15 Pretend Play, Affect, and Creativity
Sandra W. Russ
CHAPTER 16 Strong Experiences Elicited by Music-What Music?
Alf Gabrielsson
Index
PART I VISUAL AESTHETICS
CHAPTER 1 Perception and Moving Pictures: From Brunelleschi and Berkeley to
Video and Video Games
Julian Hochberg and Virginia Brooks
CHAPTER 2 Experimental Scrutiny of the Role of Balance in the Visual Arts
Paul Locher
CHAPTER 3 The Mere Exposure Effect and Aesthetic Preference
James E. Cutting
CHAPTER 4 The Nature and Growth of Aesthetic Fluency
Lisa F. Smith and Jeffrey K. Smith
CHAPTER 5 Aesthetic Universals in Cultural Perception and Practice
Dorothy Washburn
PART II NEW DIRECTIONS IN CREATIVITY
CHAPTER 6 Stalking the Elusive Creativity Quark? Toward a Comprehensive
Theory of Creativity
Robert J. Sternberg
CHAPTER 7 A Metaindividual Model of Creativity
Leonid Dorfman
CHAPTER 8 Cinematic Creativity and Aesthetics: Empirical Analyses of Movie
Awards
Dean Keith Simonton
CHAPTER 9 Creativity and Design: What the Established Teaches Us
Kees Overbeeke and Jodi Forlizzi
PART III ART AND COGNITION
CHAPTER 10 Emergence, Anticipation, and Schematization Processes in
Listening to a Piece of Music: A Re-Reading of the Cue Abstraction Model
Irene Deliège
CHAPTER 11 Experimental Approaches to Reader Responses to Literature
David S. Miall
CHAPTER 12 Studio Thinking: How Visual Arts Teaching Can Promote
Disciplined Habits of Mind
Ellen Winner, Lois Hetland, Shirley Veenema, Kim Sheridan, and Patricia
Palmer
PART IV ART, AFFECT, AND PERSONALITY
CHAPTER 13 Emotion in Aesthetics and the Aesthetics of Emotion
Gerland C. Cupchik
CHAPTER 14 Personality and Artistic Style: Patterns of Connection
Pavel Machotka
CHAPTER 15 Pretend Play, Affect, and Creativity
Sandra W. Russ
CHAPTER 16 Strong Experiences Elicited by Music-What Music?
Alf Gabrielsson
Index
Preface
PART I VISUAL AESTHETICS
CHAPTER 1 Perception and Moving Pictures: From Brunelleschi and Berkeley to
Video and Video Games
Julian Hochberg and Virginia Brooks
CHAPTER 2 Experimental Scrutiny of the Role of Balance in the Visual Arts
Paul Locher
CHAPTER 3 The Mere Exposure Effect and Aesthetic Preference
James E. Cutting
CHAPTER 4 The Nature and Growth of Aesthetic Fluency
Lisa F. Smith and Jeffrey K. Smith
CHAPTER 5 Aesthetic Universals in Cultural Perception and Practice
Dorothy Washburn
PART II NEW DIRECTIONS IN CREATIVITY
CHAPTER 6 Stalking the Elusive Creativity Quark? Toward a Comprehensive
Theory of Creativity
Robert J. Sternberg
CHAPTER 7 A Metaindividual Model of Creativity
Leonid Dorfman
CHAPTER 8 Cinematic Creativity and Aesthetics: Empirical Analyses of Movie
Awards
Dean Keith Simonton
CHAPTER 9 Creativity and Design: What the Established Teaches Us
Kees Overbeeke and Jodi Forlizzi
PART III ART AND COGNITION
CHAPTER 10 Emergence, Anticipation, and Schematization Processes in
Listening to a Piece of Music: A Re-Reading of the Cue Abstraction Model
Irene Deliège
CHAPTER 11 Experimental Approaches to Reader Responses to Literature
David S. Miall
CHAPTER 12 Studio Thinking: How Visual Arts Teaching Can Promote
Disciplined Habits of Mind
Ellen Winner, Lois Hetland, Shirley Veenema, Kim Sheridan, and Patricia
Palmer
PART IV ART, AFFECT, AND PERSONALITY
CHAPTER 13 Emotion in Aesthetics and the Aesthetics of Emotion
Gerland C. Cupchik
CHAPTER 14 Personality and Artistic Style: Patterns of Connection
Pavel Machotka
CHAPTER 15 Pretend Play, Affect, and Creativity
Sandra W. Russ
CHAPTER 16 Strong Experiences Elicited by Music-What Music?
Alf Gabrielsson
Index
PART I VISUAL AESTHETICS
CHAPTER 1 Perception and Moving Pictures: From Brunelleschi and Berkeley to
Video and Video Games
Julian Hochberg and Virginia Brooks
CHAPTER 2 Experimental Scrutiny of the Role of Balance in the Visual Arts
Paul Locher
CHAPTER 3 The Mere Exposure Effect and Aesthetic Preference
James E. Cutting
CHAPTER 4 The Nature and Growth of Aesthetic Fluency
Lisa F. Smith and Jeffrey K. Smith
CHAPTER 5 Aesthetic Universals in Cultural Perception and Practice
Dorothy Washburn
PART II NEW DIRECTIONS IN CREATIVITY
CHAPTER 6 Stalking the Elusive Creativity Quark? Toward a Comprehensive
Theory of Creativity
Robert J. Sternberg
CHAPTER 7 A Metaindividual Model of Creativity
Leonid Dorfman
CHAPTER 8 Cinematic Creativity and Aesthetics: Empirical Analyses of Movie
Awards
Dean Keith Simonton
CHAPTER 9 Creativity and Design: What the Established Teaches Us
Kees Overbeeke and Jodi Forlizzi
PART III ART AND COGNITION
CHAPTER 10 Emergence, Anticipation, and Schematization Processes in
Listening to a Piece of Music: A Re-Reading of the Cue Abstraction Model
Irene Deliège
CHAPTER 11 Experimental Approaches to Reader Responses to Literature
David S. Miall
CHAPTER 12 Studio Thinking: How Visual Arts Teaching Can Promote
Disciplined Habits of Mind
Ellen Winner, Lois Hetland, Shirley Veenema, Kim Sheridan, and Patricia
Palmer
PART IV ART, AFFECT, AND PERSONALITY
CHAPTER 13 Emotion in Aesthetics and the Aesthetics of Emotion
Gerland C. Cupchik
CHAPTER 14 Personality and Artistic Style: Patterns of Connection
Pavel Machotka
CHAPTER 15 Pretend Play, Affect, and Creativity
Sandra W. Russ
CHAPTER 16 Strong Experiences Elicited by Music-What Music?
Alf Gabrielsson
Index