Leslie C Dunn, Katherine R Larson

Gender and Song in Early Modern England

• Gebundenes Buch

Produktbeschreibung

Innovative and collaborative in its approach, this volume engages with the question of how gender informed song within particular textual, social and spatial contexts in sixteenth- and seventeenth-century England. In its attention to the gendering of song and the gendered processes and spaces of song's circulation and reception, it interrogates the literary and cultural significance of song for early modern readers, performers and audiences.

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis Ltd (Sales)
• Revised edition
• Seitenzahl: 236
• Erscheinungstermin: 20. November 2014
• Englisch
• Abmessung: 234mm x 156mm x 14mm
• Gewicht: 513g
• ISBN-13: 9781472443410
• ISBN-10: 1472443411
• Artikelnr.: 44638021

Autorenporträt

Leslie C. Dunn is Associate Professor of English at Vassar College, USA. Katherine R. Larson is Associate Professor of English at the University of Toronto, Canada.

Inhaltsangabe

Introduction
Leslie C.Dunn
Katherine R.Larson; Chapter 1 Performing Women in English Books of Ayres
Scott A.Trudell; Chapter 2 Witches
Lamenting Women
and Cautionary Tales
Sarah F.Williams; Chapter 3 Listening to Black Magic Women
JenniferLinhart Wood; Chapter 4 "Better a Witty Fool Than a Foolish Wit"
AngelaHeetderks; Chapter 5 Dangerous Performance
AmandaEubanks Winkler; Chapter 6 Making Music Fit for Kings
Joseph M.Ortiz; Chapter 7 Unimportant Women
Tessie L.Prakas; Chapter 8 Domestic Song and the Circulation of Masculine Social Energy in Early Modern England
Linda PhyllisAustern; Chapter 9 Song
Political Resistance
and Masculinity in Thomas Heywood's The Rape of Lucrece
Nora L.Corrigan; Chapter 10 Music for Helen
ErinMinear; Chapter 11 The Use of Early Modern Music in Film Scoring for Elizabeth I
KendraPreston Leonard;