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Short description/annotation
Topp offers a new interpretation of familiar buildings from turn of the twentieth-century Vienna.
Main description
This book examines one of the key notions of modernist architecture as it was formulated in Vienna at the turn of the twentieth century. Providing a close analysis of four major buildings - Olbrich's Secession Building, Hoffmann's Purkersdorf Sanatorium, Wagner's Postal Savings Bank, and Loos's Michaelerplatz building - Leslie Topp investigates how 'truth' could be interpreted in a variety of ways, including truth to purpose, symbolist or…mehr

Produktbeschreibung
Short description/annotation
Topp offers a new interpretation of familiar buildings from turn of the twentieth-century Vienna.

Main description
This book examines one of the key notions of modernist architecture as it was formulated in Vienna at the turn of the twentieth century. Providing a close analysis of four major buildings - Olbrich's Secession Building, Hoffmann's Purkersdorf Sanatorium, Wagner's Postal Savings Bank, and Loos's Michaelerplatz building - Leslie Topp investigates how 'truth' could be interpreted in a variety of ways, including truth to purpose, symbolist or ideal truth, and ethical notions of authenticity. Drawing on newly uncovered archival materials, Topp offers a new interpretation of familiar buildings that are shown to encompass utopianism, hyper-rationality, and subjectivism. She also explores the connections between Viennese modern architecture and contemporary painting, psychiatry, fashion, labor issues, and anti-Semitic politics.

Table of contents:
1. The Secession Building: multiple truths and modern art; 2. The Purkersdorf Sanatorium and the appearance of science; 3. The Postal Savings Bank: pragmatism and 'inner truth'; 4. The Michaelerplatz Building, an honest mask.