Lily Woodruff examines the development of artistic strategies of political resistance in France in the decades following World War II, showing how artists countered establishment ideology, challenged traditional art institutions, appealed to direct political engagement, and grappled with French intellectuals’ modeling of society.
Lily Woodruff examines the development of artistic strategies of political resistance in France in the decades following World War II, showing how artists countered establishment ideology, challenged traditional art institutions, appealed to direct political engagement, and grappled with French intellectuals’ modeling of society.
Lily Woodruff is Associate Professor of Art History and Visual Culture at Michigan State University.
Inhaltsangabe
List of Illustrations vii Acknowledgments xi Introduction 1 1. The Groupe de Recherche d'Art Visuel's Social Abstractions 31 2. Daniel Buren's Instrumental Invisibility 91 3. André Cadere's Calligrams of Institutional Authority 143 4. The Collectif d'Art Sociologique's Sociological Realism 195 Conclusion 257 Notes 265 Bibliography 293 Index 304
List of Illustrations vii Acknowledgments xi Introduction 1 1. The Groupe de Recherche d'Art Visuel's Social Abstractions 31 2. Daniel Buren's Instrumental Invisibility 91 3. André Cadere's Calligrams of Institutional Authority 143 4. The Collectif d'Art Sociologique's Sociological Realism 195 Conclusion 257 Notes 265 Bibliography 293 Index 304
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