The first study of Christian murals created by indigenous artists in sixteenth and seventeenth century Yucatán.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Amara Solari is a professor of art history at The Pennsylvania State University. She is the author of Maya Ideologies of the Sacred: The Transfiguration of Space in Colonial Yucatan. Linda K. Williams is professor emerita of art history at the University of Puget Sound.
Inhaltsangabe
* List of Illustrations * Chapter 1. Introducing Catholic Murals in an Art Historical Context (Amara Solari and Linda K. Williams) * Chapter 2. Creating the Corpus (Amara Solari and Linda K. Williams) * Chapter 3. The Extirpation of Color at the Convento of Saint Michael Archangel, Maní (Amara Solari) * Chapter 4. The Transformation of Sacred Materials in the Sacristy of Saint Michael Archangel, Temax (Linda K. Williams and Amara Solari) * Chapter 5. Franciscan and Maya Contemplation at the Convento of Saint John the Baptist, Motul (Amara Solari) * Chapter 6. Performing Christ’s Passion at the Convento of Saint Clare, Dzidzantún (Amara Solari) * Chapter 7. Visualizing Healing at the Convento of Saint Anthony of Padua, Izamal (Linda K. Williams) * Chapter 8. Local Practice and Trans-Atlantic Theology through the Seventeenth Century (Linda K. Williams) * Epilogue. The Enduring Medium (Amara Solari and Linda K. Williams) * Appendix. Extant Murals of Early Modern Yucatán * Acknowledgments * Notes * Bibliography * Index
* List of Illustrations * Chapter 1. Introducing Catholic Murals in an Art Historical Context (Amara Solari and Linda K. Williams) * Chapter 2. Creating the Corpus (Amara Solari and Linda K. Williams) * Chapter 3. The Extirpation of Color at the Convento of Saint Michael Archangel, Maní (Amara Solari) * Chapter 4. The Transformation of Sacred Materials in the Sacristy of Saint Michael Archangel, Temax (Linda K. Williams and Amara Solari) * Chapter 5. Franciscan and Maya Contemplation at the Convento of Saint John the Baptist, Motul (Amara Solari) * Chapter 6. Performing Christ’s Passion at the Convento of Saint Clare, Dzidzantún (Amara Solari) * Chapter 7. Visualizing Healing at the Convento of Saint Anthony of Padua, Izamal (Linda K. Williams) * Chapter 8. Local Practice and Trans-Atlantic Theology through the Seventeenth Century (Linda K. Williams) * Epilogue. The Enduring Medium (Amara Solari and Linda K. Williams) * Appendix. Extant Murals of Early Modern Yucatán * Acknowledgments * Notes * Bibliography * Index
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