This book examines Japanese horror films released from the 2010s to present day, analyzing the function of computers, smartphones, and social media in the narratives, dissemination, and consumption of these films. Lindsay Nelson argues that the multitude of screens creates a sense of fractured reality in contemporary Japanese horror.
This book examines Japanese horror films released from the 2010s to present day, analyzing the function of computers, smartphones, and social media in the narratives, dissemination, and consumption of these films. Lindsay Nelson argues that the multitude of screens creates a sense of fractured reality in contemporary Japanese horror.
Acknowledgments List of Figures Introduction Chapter One: Circulating Urban Legends: From 2channel to Toshimaen: The Movie Chapter Two: Idols, Japanese Horror, and Fractured Realities: Shirome Chapter Three: The Haunted Forest: Circulating Aokigahara Chapter Four: From Ringu to Rings: Porous Screens and Virtual Windows in the Later Ringu Films Conclusion: Living in Virtual Windows Bibliography About the Author
Acknowledgments List of Figures Introduction Chapter One: Circulating Urban Legends: From 2channel to Toshimaen: The Movie Chapter Two: Idols, Japanese Horror, and Fractured Realities: Shirome Chapter Three: The Haunted Forest: Circulating Aokigahara Chapter Four: From Ringu to Rings: Porous Screens and Virtual Windows in the Later Ringu Films Conclusion: Living in Virtual Windows Bibliography About the Author
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