This study of Franz Schubert's settings of poetry by Friedrich Schlegel and Novalis introduces the fascinating world of early German Romanticism in the 1790s. Schubert's encounters with early Romantic poetry some twenty years later reanimated some of the movement's central ideas. Through exploration of Frÿhromantik ideas, along with their musical representations by Schubert, this book opens an intriguing world of thought. At the same time, Feurzeig explores some of Schubert's little-known songs, which range from quirky to charming to exquisite.
This study of Franz Schubert's settings of poetry by Friedrich Schlegel and Novalis introduces the fascinating world of early German Romanticism in the 1790s. Schubert's encounters with early Romantic poetry some twenty years later reanimated some of the movement's central ideas. Through exploration of Frÿhromantik ideas, along with their musical representations by Schubert, this book opens an intriguing world of thought. At the same time, Feurzeig explores some of Schubert's little-known songs, which range from quirky to charming to exquisite.
Lisa Feurzeig has written on vocal music of various kinds, from Wagner's operas to Schubert's Lieder, a German songbook of the Napoleonic era, and the Vienna Volkstheater. As a singer, she performs art song and chamber music. She is Professor of Music at Grand Valley State University in Michigan.
Inhaltsangabe
Chapter 1 The Berlin/Jena Romantics Chapter 2 Case Study: "Die Berge" and Schubert as Abstract Thinker Chapter 3 Early Romantic Hermeneutics Chapter 4 Nature at Twilight: Schlegel's and Schubert's Abendröte Chapter 5 Religion by Night: Schubert's Novalis Settings Chapter 6 Creation in the Forest: "Im Walde"
Chapter 1 The Berlin/Jena Romantics Chapter 2 Case Study: "Die Berge" and Schubert as Abstract Thinker Chapter 3 Early Romantic Hermeneutics Chapter 4 Nature at Twilight: Schlegel's and Schubert's Abendröte Chapter 5 Religion by Night: Schubert's Novalis Settings Chapter 6 Creation in the Forest: "Im Walde"
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