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Kniga posvyashchena issledovaniyu zhizni i rannego perioda tvorchestva talantlivogo frantsuzskogo komediografa Zh.-F.Ren'yara (1655-1709) v tesnoy svyazi s istoricheskoy i esteticheskoy atmosferoy epokhi, kotoraya rassmatrivaetsya kak "startovaya dorozhka rokoko". Eta kontseptsiya podtverzhdaetsya analizom zhizni i 11 "ital'yanskikh" p'es Ren'yara, vklyuchennykh v sbornik Gerardi. V rabote pokazyvaetsya, chto ego proizvedeniya yavlyayutsya yarkim primerom evolyutsii ital'yanskoy komedii masok vo Frantsii v poslednie desyatiletiya XVII veka, osnovnye cherty kotoroy - vytesnenie improvizatsii, proniknovenie v p'esy frantsuzskogo fiksirovannogo teksta, izmenenie kharakterov masok, chto privleklo k sotrudnichestvu s Komedi Ital'en frantsuzskikh avtorov, v tom chisle i Ren'yara. V svoikh p'esakh on tvorcheski razvil luchshie traditsii ital'yanskogo i frantsuzskogo teatrov. Epikureets, "umerennyy" skeptik, vol'nodumets, Ren'yar v to zhe vremya byl chelovekom pronitsatel'nym, umeyushchim tonko i ostroumno otrazit' v svoikh komediyakh sovremennye frantsuzskie nravy, v osnovnom, galantnye, v rusle novykh veyaniy rokayl'noy estetiki. Kniga rasschitana na shirokuyu auditoriyu, interesuyushchuyusya istoriey teatra, literatury, esteticheskoy mysli.